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Sectarian Kim Ustamujic Johansen writes about the decision of the newspaper in a column of the Barometer-OT, where she laments that the festival watch has remained: "I want our readers to know the festival of music that the festival offers year after year but we can not agree to be governed, "she wrote.
– I made the decision to make an important mark that we can not tolerate our journalism. the first time I went to something like this, "said Kim Ustamujic Johansen in DN.
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The newspaper postulated before the festival for press accreditation for a music critic and a photographer. According to Kim Ustamujic Johansen, the question should have been asked of a festival jury member if the notices were to be posted behind the payment wall of the information site.
"I replied that, like us, we have a product for which we pay and that we can not agree to change our accreditation policy," writes Kim Ustamujic Johansen in his column. She then cites the response she received from the organizers:
"To see that it is useful for our visitors and that at least some of our reporting must be available to the target audience that we target. If that is not the case, then we have trouble offering you an accreditation for that, "wrote one person in the organizing group
– I had more contact with them, but they were completely stuck from beginning to end. I tried to argue but it does not matter, says Kim Ustamujic Johansen, and continues:
– We sometimes meet critics for the payment wall, but we're a newspaper paid since 1841. If we agree on terms then
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But why is it important that you are accredited?
] – This is a matter of safety and security. It is about giving journalists the best opportunity to follow events, with accessibility, clarity and proximity. In order to work well and safely, our employees must have room to move in a way that ordinary festival visitors can not. It is almost impossible to work professionally and without accreditation.
Do you think it is more common for event organizers to define the conditions for media accreditation?
– I am very difficult to see it happen, neither at local festivals nor with major artists. Everyone is generally professional and understands that everyone wins this approach, including the artists. That would be flippant in many ways, but I'm not afraid that there will be something we will know again.
DN sought the organizers of the Emmaboda Festival.
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