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It is however paradoxical that Swedish saga artist John Bauer and his family died in a boat accident in Vättern, a stormy night when nature proved as threatening and cruel as among its intrigues and plots. his grotesque painted trolls. The idea of the forest and nature both seductive and traitors is also what the composer Jonas Valfridsson evoked in his worn-out "John Bauer suite 1918", which was released Sunday in the hometown of Jönköping.
The symphony and two choirs collapsed in Spira's concert hall, which is to be the only one in the country to have its own starry sky on the ceiling. An enchanting environment for a large fairy tale that evokes the mood of the end of Ravel's dawn and Ravel's impressionism with vocal vocals and a crying celesta. Much of what has become the proverb of the Hollywood song. But like Valfridsson in a very conscious, elegant and intelligently instrumented way, playing in a solid color. More of Gustav Holst than John Williams.
In the eighties Valfridsson a Once found from rock and jazz guitar to artistic composition through such films as "Star Wars" and Tim Burtons "The nightmare before Christmas" is at the same time a generic entry to the classic. He became as he says big in Japan in 2007 already thanks to the success of the orchestra titled "By killing the fields, the sweet butterfly rides" with the Tokyo Philharmonic. Nevertheless, Bauerviten will be classified as the major breakthrough of Valfridsson in Sweden.
The piece is closer to 40 minutes, which is unusual for newly written music, usually taking up to a quarter of an hour reading at the beginning of a concert program. The six-seat sequel, a joint commission from Jönköping Sinfonietta and the Norrköping Symphony Orchestra, dates back to the centenary memory of the tragic Bauer accident. She burst alone rightly after a break. Rates are all from different sago designs. Not programmable as such, but still anchored in an imaginary imaginary world.
The music is more continental transparent and colorful by modern game technicians than by frivolous folkton. Among other things, Tuvstarr's encounter with the fairies ends with horror, somewhere between the "Psycho" strings and the Edvard Munch "Skriet" board. In the fourth-order concertino, the sjökun (violin) in turn invites the Agneta (clarinet) to an underwater rolling session with floating runways of "An der Schönen blauen Donau". At least as elegant, the distant effect of näverlur rolled in the wild Vill-Vallaremans develops from the trombone to the horn through the trumpet ordered.
Even the deliberate magic Otakt sits under the direction of its director Christian von Gehren. The Sinfonietta of Jönköping also thinks that it is good to choose the other works of the night from Bo Linde, Camille Saint-Saëns and Frederick Delius in consultation with Valfridsson. That is why it is unfortunate that the working environment at Spira was as penalizing as the fateful night of Vättern, 100 years ago. A musician was fired and the information on the infected conflict became a sequel to Jönköpings Posten. One can hope that there will be such trolls in this refined cultural house.
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