Johanna Frid writes assertively on pain and jealousy – Cultural Nutrition in P1



[ad_1]

Kind: prose
Author: Johanna Frid
Title:
Nora or the fire in Oslo

Johanna is angry at the pain. What eats her from the inside, is both the jealousy of the former girlfriend of Emil, Nora, and her heartache that forces her to get along. sleep every month.

The first novel by Johanna Fride is an autofic story of a protagonist who shares names with herself. About Johanna who is with Emil when she meets the university. Emil is from Denmark and his familiar and laconic Danish character contrasts with Johannas' neurotic orientation and emotional swells. The plot begins when Johanna sees a Facebook profile picture of Norwegian Nora, with whom Emil has already had a relationship. Nora is everything Johanna does not have. Nora is beautiful, popular and loved by her family.

The jealousy lights up immediately and passes in the obsession, which inserts a corner that gnaws more and more into the relationship between Emil and Johannas. Soon, she does not know where she ends and Nora begins. All while murders come in waves. Finally, endometriosis was also diagnosed. Johanna follows every step like Nora and uses social media, mainly Instagram. Endometrios and Instagram – two phenomena that are not directly described above the Swedish literature.

Another element that does not appear in abundance in contemporary literature is humor – and there are many in the early days of Johanna Fride. The story evokes a kind of joyful darkness that captures both the cultural differences and the psyche of their own psychology. With a great distance and precision. Despite painful family ties and painful surgical procedures.

Joahnna Frid writes in dialogue with the history of literature and refers to Nora in Maria Gripes '"Agnes-Cecilia" as Henry James' horror novel "Screw Twist" and many others. The language of "Nora Brinn or Oslo brinn" is peculiar to the younger generation of writers, who at times tends to be very influenced by the pictorial prose of Sara Stridsberg. Here, there is a strangeness, a sharpness and a voice that I did not know that I longed for. I can not wait to read more from Johanna Frid.

[ad_2]
Source link