North and South Korea from the point of view of culture – Studio One



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The author Jeong Do-Sang belongs to those who have traveled to North Korea several times and means that the two communities are now entering a necessary collision phase. At the same time, it is stated that North Koreans are invited to remain discreet.

Toner of a piece of music whose text is written by a North Korean author and the music created by pianist Kim Cheol-Wong. The job is for those who like Kim Cheol-Wong to move North Korea.

When he left North Korea In the early nineties, Kim Cheo-Wong realized a dream: playing at Carnegie Hall in New York. He wanted to show his former compatriots that he had the right to flee North Korea. He now rejoices in the relations established between his present and his old homeland.

"I very much hope that relations will be improved." A North Korean music number will be presented in the month of October and it's a good way for us to get closer and be equal, "said Kim Cheol-Wong.

It means that Kim Yong-Un's image is that of a rocky leader who makes fun of what people do not want to be completely in agreement with the truth. North Koreans do not trust their chief as much as they used to, but want economic development. Kim Yong-Un is worried about what the people think of Kim Cheol-Wong.

He has a family who stays there and although the family is raised in the Communist Party structure and is privileged, his brother sometimes asks him for money.

Kim Cheol-Wong teaches today at the university in Seoul and is a sought after pianist. When Kim Cheol-Wong left Pyongyang, he was a pianist at the State Symphony Orchestra. He had studied music in North Korea and the Moscow Tchaikovsky Conservatory. Expectations about him were great, but he fell in love and started practicing this piece.

– I wanted to show my love to a woman and I tried to play A like Love, but someone who heard me and informed the authorities. I was really shocked and felt that I had to leave North Korea, said Kim Cheol-Wong.

"In North Korea, culture must represent an ideology, so that it is afraid of the music that conveys freedom," he said.

In one of Seoul's many skyscrapers, author Jeong Do-Sang is leading the work of a common dictionary for North Korea and South Korea. A few days after our meeting, he goes to Pyongyang to meet people from the cultural sector.

Jeong Do-Sang is for his social criticism and describes in his books how the power of the state affects the individual. He also wrote about violence in the military. He was imprisoned in the mid-1980s when he protested against the construction of a pond. It's meanwhile in jail that he decided to become a writer.

He is a welcome guest in North Korea and his books are available for reading there, but not because he himself gave them. They were printed without my consent, he says. At the same time, he takes care to signal that he also criticizes the North Korean regime when it is located in North Korea. He uses the word collision to talk about political developments on the Korean peninsula.

By collision, he thinks that the two countries no longer see the neighboring country as an isolated island, but beyond this stranger, there is a common millennial history of coexistence.

The key to connecting to the common is the Korean language that allows you to begin to share cultural experiences with each other, which inevitably leads to collisions. And these collisions are important, according to author Jeong Do-Sang, because they force people to relearn how to understand each other.

"It is important to deepen the study of each other's cultures and to think about how to deal with differences, such as the preferred music style in the north and the south.

In the north, you prefer a higher tone and a high pace to walk, while the traditional South Korean music is a little quieter and melancholy. In Korea, if you ignore or accept the neighboring musical tastes, Jeong Do-Sang asks.

He sees the question of music as part of a larger question; it is to know who has the interpretation now when the countries are getting closer. This is why, as the dictionary project is important, he thinks that the words and expressions of North Korea are treated and treated equally. Do I ask if the common cultural heritage and history before the 1950s division can function as an interconnection kit?

"Certainly, the common cultural heritage can be a base, but at the same time, in those years, we had a completely different starting point when the story was interpreted in a specific way with respect to the vision of the last one. Emperor reigning before the invasion of Japan, "said Jeong Do-Sang.

North Korea adopted a proletarian historical writing, that is to say that the workers and peasants rebelled against the emperor, but the opinion of South Korea had a point of bourgeois departure. These differences in historical writings make cultural exchanges difficult, according to author Jeong Do-Sang.

An example of cultural exchanges The South Korean Film Council seeks to cooperate with North Korea. The wish list offers the possibility of recording movies in the north. Up to now, these plans are a bit slow, but when the council chairman met the press at the Busan Film Festival in South Korea in October, he stressed that it's only a matter of time. was acting a political project and that the film was a movie.

In the media, critics have been reported against North Korean IDPs who criticized the North Korean regime for not disrupting talks between the country's leaders.

"Now that you want to participate in a TV or radio show, they want us to say the title of Kim Yong-Un, not just the real name, but that does not bother me," says Kim Cheol-woong, who does not say that he has experienced even more pressure when he talks about North Korea.

It has also been reported that North Korean hurdles would generally be more skeptical as to what might come from the country's leaders because they knew the regime inside, but that does not apply to Kim Cheol- woong.

"We have a long history of war, but I think culture can be the only power, it can come together after all years and help bring peace to the peninsula," said pianist Kim Cheol-woong.

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