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Title: sorry to bother you
director: Riley Boots
scenario: Riley Boots
Featuring: Lakeith Stanfield, Tessa Thompson and Jermaine Fowler
Kind: comedy
note: 3 of 5
Black Panther and Get Out are the two clearest examples in the American film about the success of movies with African Americans in mind.
Black Panther, who has brought some freshness to the heroic genre of comedy hero, and Get Out, with its mixture of horror and satire, has become both a mainstream and the favorite of critics.
Sorry to bother you, you feel like the nonchalant and obliterated little brother of Get Out, it's a black satire sometimes almost daddy, a lot of whims, a lot of flicker. Michel Gondry is one of the guys who are skied.
Cassius Green is unemployed and ready to accept any type of work. He works in a call center and the job interview is a nice spoof of the scam. Then, in the office world, when it comes to selling up, Cassius is not so good. The fool all the time when he calls.
Then he receives on the phone the mention of an experienced black man, next to "Use your voice" and his happiness is done, he advances a few floors and becomes a star seller.
Lakeith Stanfield makes Cassius, but his white voice in the film belongs to the white comic, David Cross. An example of the aesthetics of the clip-and-paste used in the film.
Being a star seller means that Cassius has to sell anything and tinker, and more, the ideal of his girlfriend. She is played by Tessa Thompson, and is like a cooler Rihanna in the movie where she creates an artist with earrings with big messages like palms.
Yes, sorry to bother you, you're a spicy black satire who feels great here and now, but she also manages a legacy.
The white voice makes a lot of laughs when comedians like Eddie Murphy and Richard Pryor use it on stage.
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