Sorry to disturb you with noisy energy splash | Gothenburg after

Should you do? Capitalist social drama on film, the sale by phone is perfect. The arches where they sit on the shoulders are painful. And the delicate situation in which the seller tries to limit the products, regardless of the state of the call he has called, has often been touched on the other side of the handset.

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This makes the first surreal, fun and ultimate political film by the musician Boots Riley sorry to bother you already has a lot of free for the public. But it is also a kind of dystopia in the air – where the satire of interracial relations and capitalism is absurdly distant and yet annoying.

Cassius Green (Lakeith Stanfield) starts as a phone salesman in Oakland to pay the rent. He is told to stick to the script and "exploit potential problems" with those he calls. In an effective image solution that shows how invasive the job is, Cassius set up his office at home. Couples joke on the couch and the cracking ladies announce the sound of phone calls that their men are dying. It is not clear on the sale.

Riley could have pulled harder in the race problem.

Until Cassius discovers that he has a gold capacity. A colleague (Danny Glover) suggests using his "white voice" to sell better. While her colleagues and radical girlfriend Cassius Detroit (Tessa Thompson) are fighting for higher pay, he advances with resounding pain and can sell weapons of mass destruction and slaves to a Silicon Valley subcontractor .

The dilemma is classic: the individual versus the collective match. But it has a flaw where socialism, advertising, art and activism are attracted by a wonderful point. Also visually. As if Buñuel had made a hip hop video where Gondry had directed the scenography and screenplay written by Marx and Engels. When Cassius begins to make money in blood, Stanfield's personality expresses so well – a surprise and pride that a poor black man can get the bottom of the powerful – but also his old furniture that divides to make new ones grow. Detroit's huge earbags are transformed between the messages of the crocodile years into statues of absent fathers who do not pay alimony.

Sorry to bother you is not perfect. Riley could have pulled harder in the race problem. And too many scenes are unlocked. At the same time, I am fascinated by the way the film springs from an untrained energy – and that's part of the message. Unlike the predictability of today's "indie" American movie, Sorry will never bother you with the reseller's storyline.