Stadra Theater can count on public training – nwt.se

The explanation of the program in front of Wetterholm as a mix of new figure Curry Kock and the author of the figure Hjalmar Bergman but the words come from Agneta Pleijel. Curry Kock also says, when it is time to tie the bag, that it is the author who has found everything but sometimes the role that they want. Complicated? Not the worst. The new summer book by Stadra Teater was written by Agneta Pleijel and with the introductory words it is suggested that she relates very freely to Hjalmar Bergman's novel of 1925. Katja was chased away by a pessimistic teacher who threatened to think of the notes and was getting the movement of metoe a face Katja picks up Lena Andersson's book, self-esteem as an allusion to the present, certainly, but it's a piece of theater over time.

But Katja Kock also plays with her brother's frack and launches the scandal. . The cliché can work because the man in Katja's life, Count Ludwig von Battwhyl, in Wadköping is known as a football player. What's not in his head, he gets up as the friend of Curry Kock expresses

Love with Prevention

It takes time before Katja and Ludwig get together. Agneta Pleijel allows them to get into their sixties before getting married after a number of marriages and relationships – it's never too late to start, as Ludwig sees it – for a happy ending with changing roles like the Katja asks Ludwig's hand and not the other way around. The girl is free, not the boy, and this can be considered a step in the right direction with regard to gender equality.

This match is at the center of the performance. One woman concludes that we are living in the longest revolution in the world and Katja has wondered why it is so difficult to reconcile freedom and love. The performance of the Stadra Theater is complemented by a small exhibition of the Örebro County Museum, which deals with the struggle of women. It is said that the electoral battle of women in Sweden began as an intellectual movement in the upper classes of society, and not in the working class. The fight was led by women who had their own business or who had studied.

Agneta Pleijel understood that in the second act she presented women to the Larsbo commission. Not only did they elevate Count Ludwig, but they also formed the front of unity, which crushes the power of paganism and paternity. Men hunt money, create new weapons and start war. Men are crazy and look at nothing other than themselves.

Scum inspiration

Cut them! Cut them off! That's the battle of Britain and the inspiration of Valerie Solanas and her manifesto Scum – the Society for Cutting Men – is in the open days. Valerie Solanas has, among others, been described as intellectual and the women of Unit Front of Larsbo are teachers and teachers and specialists from one and the other. So educated women.

This may seem to be heavy and offensive – to cut off all men – but the girl in the frack is right opposite to heavy. It is nevertheless an easy performance to play and play – imagine something spicy by Hasse Ekman – with replicas of intelligent and well-connected replicas that attract a lot of laughs. And then it's music, dozens of songs, jazz standards from the American repertoire, mood classics, Beatles, Karl Gerhard. The scenography is economic, in the background a white screen showing different projections. But sometimes it's just a circle of light that surrounds the artist. Like a concert.

Adorable

Sofia Berg-Böhm is totally adorable as Katja Kock. And as she sings in beads like Stars Fell on Alabama, a Nightingale song at Berkeley Square, they can not take that away from me and call the whole thing, so that song has been translated to we have to separate and perform together Rune Jakobsson (Ludwig von Battwhyl). The sentence, the voice, yes, it's very sweet.

Magnus Wetterholm at Jazzgossen, What do you have in your pocket Jan, I believe in the summer and when I'm 64 in his lot. He plays several very prominent roles and, with the different characters of Eva Haldert, sees the value of entertainment at the highest level.

The children of the city are showcased in two songs: Stand By Me and Cole Porters Let's Do It, Let's Fall In Love, The song is complemented by classic musical supplies.

But for this to be so good, it must be for a pianist as greedy and new as Johan Graden. Superbly.

Magnus Wetterholm can therefore, as artistic director of the Stadra Theater, look forward to seeing the public rush. It can be attributed to this girl in the frack for a variety of reasons. A spiritual blend, served with taste.