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Anders Berglund has long been synonymous with the Melodifestivalen as it is today Christer Björkman.
He directed the live orchestra – which is a keepsake since 2001.
– I'm not supposed to be Surgub and say it was better before the orchestra came back, but I think SVT should take more responsibility for live music in general, he says in his summer program in P1.
Anders Berglund debuts as a summer host for his 70th birthday, today on Saturday.
He guides listeners through his long and successful career as a composer, conductor and musician. Several offers appeared during the trip, and as Berglund still accepted a "no-thanks-mentality". Among other things, he was chaplain master of 16 Swedish melodists and 13 international finals, at the time when the program still had a live orchestra.
– In truth, I am not a direct success, but my great interest lies in the living. music. There is nothing more ferocious than the live orchestra of a lifetime – the interaction between musicians and artists and the nerve that it becomes while playing together, especially in a live broadcast, he says in the program
19659008] He offers some anecdotes about his "Mellotid" as when a Turkish orchestra conductor crosses the orchestra conductor's office in all his enthusiasm in 1989 or when French artists seemed more interested in "smoking strange cigarettes than in competing with them" in 1992. Berglund was also with when Christer Björkman took his first steps in festivals the same year. He won the Melodifestivalen with "Tomorrow is another day" but finished second in the Eurovision final in Malmo. The following year he resumed, but ended up in a sixth and last place shared with "Welcome to Life".
– However, he did not realize that his talent was to produce and draw the Melodifestivalen with the best of luck, "says Anders Berglund in the program
The Live Orchestra was used the year last in 2000 at the Melodifestivalen. "He (Björkman, Reds anm) has undoubtedly carried the program to unexpected heights, although I personally think it's more at odds than the musical content. I will not be overdubbed and say that it was better before and that the orchestra should come back and so, but I think that SVT should take more responsibility for live music in general. Then it was said.
1 of 2 | Photo: Anna Tärnhuvud
Anders Berglund
"Still the razor of money"
Anders Berglund develops his reasoning for the Nöjesblad.
– I'm watching live music and the orchestra. I think there is too little about SVT nowadays. It is simply "All song on Skansen" and "So let sound" which has live music, but it is not the rest of the year. "Calle Moraeus" has been established now. I can miss it, if you're a little critical, he says.
In the context of live music, it is usually in the form of a quintet or a small group, says Berglund. He asks the big orchestras, which were more common before.
– We should take care of our incredible and talented Swedish musicians of all varieties of all genres and it is easy to forget about it and use ready-made music instead. , he says, and continues:
– You still blame that you have too little money, but I do not think so because it depends on how to allocate money or money what you prioritize.
Do you look at the Melodifestivalen?
– No, not now I hang out and I want to see who wins, but I think it has become a little uniform in the music. Sweden tries to vary and have different elements, but when you listen to it, it becomes quite uniform. And then it will be when it's pre-recorded. It becomes a sound image rather dull musically. Of course, I think it would be fun if the orchestra even came back in this context, but it must be in modern forms adapted to the music of today.
SVT: "We are not spared by the music industry"
Peter Nyrén program editor for entertainment at SVT, responds to the criticism of Anders Berglund in email to Nöjesbladet:
"There is more live music in more entertainment programs than" All song on Skansen "On the other hand, in other programs, we are not affected by the fact that the music industry is increasingly composed of produced music where the sound can not be recreated live and where the artists want to play with their pre-recorded music. Melodifestivalen where we will not want to return anymore to the live orchestra to be able to create a variety of musical styles and artistic expressions. "
Summer in P1 is broadcast as a podcast Saturday, July 21 at 19:00 and will be broadcast in P1 at 13h
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This is Summer Prats 2018
] On July 21, 2018 07:03 [19659036]
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