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The contrast with the tragic medieval age of last week could not be greater: when Louise Hoffsten chooses an activity for her day, she flashes and puts it in her hands.
She brought a group of gray county indicators, asking others to "pull" them for her. As her husband did when she had her first stick, she was desperate for the progress of the disease. With embellishments, he then turned the jaw loaded with symbols into something that gave "power and strength". Now colleagues will have to do the same.
So Christer Sjögren takes two rolls of colorful gifts and pushes them on the jaw. Ready! "You just had two gifts," Big said. "You think you've been a little lazy." "The cat is not my strongest side," says Christer, shaking like a preschooler on the cross. The singer does not seem to understand at all that he has been invited to treat a trauma and has just destroyed his small support role.
He wishes it, but in this family of music, the role of Christer is undoubtedly that of an egocentric uncle who always has something to say (each family has one, but you probably do not know who you are ).
In an animation program such as "So Better Better", we are rather grateful to someone who always has an anecdote or expert comment on it, and Christer is also very kind. But at the same time, it is a boring study of men's self-esteem, when he begins to show disgusting images of his brother-in-law's storms or extends a little too much into the conversation. As Louise Hoffsten starts talking about her hesitations before the Melodifestival, he gets the upper hand and begins to love his own fears for the same thing.
I guess Christer Sjögren just can not help but do it. He's just an unconscious child of his generation. But he should learn from Stor, who took his gold pimped cap and included it in the performance as a kind gesture from a man who understood when something is more than a cute pursuit .
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