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Title: tower
Kind: Wharf Animation Film
scenario: Mats Grorud
note: 4
If you build a tent first, then a skin, then a small one-story house, you have a house that can last generations. In Palestine If you sow at the same time, you have a garden in the desert. Guava, rosemary, pomegranates.
In a refugee camp on the outskirts from Beirut, the dream came to an end and the gardens were torn to pieces, now on the floor of winged single-skinned crates, twisted cable bundles, narrow concrete slabs, huge cracks, pale plastic chairs and pissling format cultures.
Some chickpeas in canned baskets, tomatoes in buckets, thyme in old paper-thin juicer cartons, to a rope of temporary spaces and solutions that extend to the sky like a broken lego, a dungeon resting place, an exile house and a safe childhood home for Wardi.
Wardi, 11, rides That is to say around the refugee camp of Bourj el Barajne in Lebanon, with a good grade of school in hand, a cross between people sitting with the memory of the knee. A cousin hid at the top of his punch and never fell, a senior uncle haunts the day against military helicopters, his grandmother knocks at the kitchen fan and smiles softly and smokes: "Oh, you can not die of sadness, that's how bullets work.
For the tower is also about In May, the month of memory of "Al Nakba", or "disaster", as is also called the expulsion of Palestinians. Wardi is a doll, it 's also everyone, with the eyes and the kind of little delayed movement that gives the stop motion technology, a bit like everyone pushes through the. heavy water in a small thoughtful piracy. This suits this story.
The tower is not a neutral film. Israel is drawn with only hard eyes, drums and dull stars of David. Here, there are no more aspects than gross inherited loss. It's like that.
But it is also superb art. All the small hand-painted cucumbers, matchsticks and wavy miniplotbits, as well as all the seemingly minute adjustments that have been made for the light to come to light in a totally stagnant and prosperous place, succeed with something difficult: tell a refugee story as an infinite patience. And architecture.
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