"Utøya Reconstruction" recreates the community – Cultural use in P1



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Title: Reconstruction Utøya
director: Carl Javer
Kind: documentary
note: 4 out of 5

A young man is sitting squatting next to a younger woman. He says, "Pang Pang!" with a rather weak voice, and they jump to an imaginary window. What they see there pushes them to rush to the ground, along white striped lines, and look for shelter.

The scene is totally free – and at the same time bursts – of drama. The man called Mohammed and is one of four survivors of the terrorist attack in Utöya, who meets for two weeks in an empty movie studio.

There, each of the four tells a group of young people aged 18 to 22 what happened to them on the island. A person can represent them. Then they lead the group in what seemed, sounded, felt. Each story has its own episode and its own temperament in the film.

Rachel describes the feeling of hope in the middle of the panic when she sees her friend saved in a boat. Muhammad fights thinking that he should resist. Jenny tells how she reminded her grandfather's advice to take a bath when she was swimming.

And most likely, Torje, who only saw 14 years old, saw his brother being shot and preparing to die in the water. Now, it's a young man who leads the group like he never did.

Reconstructing Utöya looks like a simple, generous and slightly naive film, like young people looking at superiors with big eyes.

But it's misleading. The film will work as a multilevel rebuilding process. A kind of rebuilding of the community as an idea.

Seeing the pain and liberation of the faces of Rakels, Mohammed, Jennys and Torje when they realize that they are no longer alone with their memories is one of the strongest ones that I have. we can watch movies right now.

Emma Engström
[email protected]

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