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It's really breathtaking when Faragó begins her career, which begins by chance when she is 14 years old. She accompanies her father in a cinematographic recording of her screenplay and suddenly they stand without scripta. Then Faragó takes up his sleeves and starts working.
So she never ends.
There was another time then. Therefore, it is even more unlikely that a schoolgirl will succeed in working at such a level in the predominantly male film industry.
As a teenager, she thinks of Ingmar Bergman. When she meets him for the first time, he looks at her for a long time and looks with a smile. She looks back. They have been for a long time. Then Bergman approves and they work together for decades to come.
There is not much intimacy in the summer parade of Faragó, in addition to the shattering but stupid history of childhood. Then the family fled Hungary to Vienna. Then Bratislava, Prague and Helsinki. They were hunted by Nazis, shot dead under the winter war, and finally flew to Sweden via Haparanda under the false pretense that they were Catholics.
What she says about parenting is how hard it was to work as a toddler mother. She had a little girl who took care of the children when Faragó toured the US for weeks and spread everywhere she worked.
The strongest is the relationship with Ingmar Bergman. The main scene that she describes appeared in the morning during the recording of the film. Faragó sat in the log with him and held it in his hand. He helped the genie overcome the trauma and anxiety before starting the work day.
"Summer in P1" is published as a podcast at 07 and sent in P1 to 13.
"The summer in P1" of Katinka Faragó was so good.
INTRODUCTION
"It is said that behind every great man there is a woman," began the speech when Faragó received a Hedersguldbagge last year. And then the summer parade begins with his own thanks. He sums up his act very well in the film.
FAMILIES
This is a woman who, as a child, fled the Nazis all over Europe, worked with all the great names of Swedish cinema and lived so much that She should have a series of summer rats. Nevertheless, she is stubborn and not sentimental. It's fun.
CIRCUIT
At the age of 13, she dropped the scriptbook on a station. Then she films a lot of Hungarian 1850 square in Bergman that just says that "she's never a photographer." Anecdotes in quietly fun.
MUSIC
The selection of the song is carefully balanced to match the films or events of which it speaks. They really come alive when she tells anecdotes about Sickan Carlsson or Monica Zetterlund and then they sing all of a sudden. Well done.
CONCLUSION
The finale becomes a beautiful speech directly to Ingmar Bergman about what he meant for her (all) and how much he is missing. It's touching because it's the only time in the program that Faragó is stirring
Track list:
"Perpetuum Mobile" – Gazsa, Papp Istvan [19659002] "Bollelåten" – Soundtrack of the film: Vägen till Klockrike)
"Benny Andersson
" Jöns sång "- Gunnar Björstrand, The Seventh Inseglet
" The Sick's Sunshine, Du "Sickan Carlsson" Green Apples "- Monica Zetterlund
" Sarabande – Suite for Solo Violin No. 5 C-Moll "- Johann Sebastian Bach" The Magic Flute, Duo of Love "- Wolfgang Amadeus Mozart [19659002"Lesoleildeminuitnesecoucherajamais"-ArneDomnérus
" Orchester orthodoxe, orchestra des Weinachts BWV 248 "- Johann Sebastian Bach" Prelude for piano No. 2 A-Mole OP 28: 2 "- Frédéric Chopin
" Pride, in the name of the law e "- U2
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