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Ms. What does it mean to be on the stage of a festival and to see a lot of girls in the audience who look like you?
It's too cute. I like it! That's where motherhood comes from. I would like to take them in my arms, protect them and make sure that they come home safely.
Do you feel responsible?
In a certain way. In any case, I feel close to the young women who follow me. Teenager was so lost. I know the situation very well at his age.
How were you a teenager?
I made a very strange impression about a lot of people – and they were not wrong. I sang lost in my thoughts constantly and often reprimanded by the teachers. Unlike my classmates, I always hung out in bookstores. I was introverted, the books became my sanctuary.
The song "South London Forever" suggests that the rebel has arrived at some point.
Oh yes. I listened to bands like the Libertines, I drank too much and I was hanging out with a bunch of people on the streets of South London. I lost control. That's when the music was right for me. I went to every party. When we made the breakthrough with Florence + The Machine, I was in trouble. My soul began to take damage to my self-destructive lifestyle. Three years ago, I had to brake and put a stop to it. This is the first record that I wrote and recorded soberly.
And you have not touched alcohol for three years?
That's right. When we became the head of the Foo Fighters at the Glastonbury Festival in 2015, I was so overwhelmed and tried to get a drink, but my colleagues prevented me from do it. Even when the last album's concerts were completed, I had the fear of leaving as usual for a pub tour in London. But I prefer to go directly to the studio to work on the new record.
What was different?
I was much more orderly. People used to spend a lot of time with me: sometimes I did not even go to the studio or with a total hangover. I thought it had to be like that to be creative. But it's nonsense. This record is almost quoted, I found the pleasure of making music. And I came a lot closer to my heart and the question of who I am. This included revealing my most intimate self and revealing my vulnerability. I do not have anything to hide anymore.
Does this belong to the elderly? I became calmer. I realize that I aspire to normality. Having a structure is important. Having time for me and my books is sacred to me. All that I try to protect despite the crazy life I lead. I learned to take care of myself.
With your latest album, "How Big, How Blue, How Beautiful", you wrote the broken heart.
There were no dramas in my life this time! But "Big God" is kind of reminiscent of the fucking time at the time – but from a healed perspective and with the necessary distance. The song is about someone who does not answer my messages anymore. He just disappears. The phenomenon is called the ghost image. It is also about realizing that someone who disappears and who treats you badly, suddenly gets a special and attractive aura for you – downright divine. Why is it? I've always thought that if I could be with the person, it would eliminate all my problems. Today, I know that I can only repair my life.
Is the song "hungry" a cry of love?
It's this feeling of never being enough. The greatest sorrow of love is actually not being able to love you. Teenager, I had a lot of hatred towards myself. I've tried doing the right thing to be loved. I would like to console the little girl these days and tell her: Let's relax, everything will be fine.
The stress of reinventing each album does not make you feel good?
Oh no, it would be too exhausting for me! But I know it a little: in the first albums everything was still hidden under layers of drama and costumes. My hair was light red, their eyebrows were discolored. At that time I had the attitude: My face is a canvas. I am not human, I am a painting! On the second album "Ceremonials", I wore heavy couture clothes on stage. It was my protection and I worked as an armor. I needed that. But behind the facade, it was very different: when I had the most glamorous and inaccessible air, I was actually a wreck – everything seemed to collapse.
Today, you are also a style icon
worn, which made me feel good. If other people like it, that 's fine, but the plan was not to make a fashion statement. My style has also changed slightly: give me a long dress with pattern, and if it floats again, I'm happy.
Florence + The Machine: "High As Hope" was published by Universal.
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