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Osnabrück. If you measure the crime scene by the price, "In Pain Born" (2014) with Ulrich Tukur and Ulrich Matthes has been the best in recent years. Tonight it will be repeated again in the ARD program.
During the first broadcast, on October 12, 2014, the number of viewers was 9.29 million, but only average, but critics were delighted in the German media landscape. And the following year, there was not only the Grimme Award for "born in pain", but also a Golden Camera for the best German TV movie and another for Ulrich Matthes as the best actor on the national scale.
The show said in our review: "While the quota kings of Münster with their Klamauk thrillers inspire as many people as any other Jogis, this allows Til Schweiger to crack like in a thriller American action.But a movie like this Sunday, the ARD has never set this audience to its audience. "Born in bread" with Ulrich Tukur as Commissioner Felix Murot is simply .. crazy! "
Does Shakespeare meet Tarantino? Will a play be staged as a West? Do the Coen brothers suddenly become a "crime scene"? Is it a fairy tale or a bloody persiflage? Why are we addressed directly as a spectator? And what should classical music be? In the end, we just dreamed and we did not even see it on TV? After this film sprouting questions that would not be at all, if Ballauf and Schenk have whistled the final Kölsch. But first …
The first image leads to Bolivia in the year 1982 – to a man who, panting, turns his rifle on an unknown victim and can not wring it out. The second shows us the actor Alexander Held with a monologue of Shakespeare recited in the jungle in addressing us in public: "No blood, nothing is real." Finally, we see a scene that catapults the viewer into "play me the song of death" by Sergio Leone: Three men wait in a lonely train station on the train to bring their victim to the gun tracks,
The man in white suit goes out, puts down his suitcase, pierces the killer with his gaze – while for the first time the symphony orchestra of Hessischer Rundfunk (hr) gives this "Tatort" his unknown soundtrack. Three shots from nowhere blow the light to the killers, the man in white suit remains: Richard Harloff, played by the great star of the theater Ulrich Matthes, is crazy – and he aims Murot.
(Here is a detailed interview with Ulrich Matthes)
He returned from Bolivia to Germany – after more than 30 years. At the time, at the police academy, he was Murot's best friend, they even shared the great love – as in their favorite movie, "Jules and Jim" of Truffaut. But then Harloff was suspended from the police department for a drug history, emigrated to Bolivia, rose to the baron of coke, and now seeks revenge – but why only, and why only now?
If you can not get used to this movie until then, you have to turn it on or off. Because a normal "crime scene" will not be over. Director Florian Schwarz and screenwriter Michael Proehl are more like playful movie buffs. They use a lot of quotes from film history – like frozen images, where the image stops and the person who is frozen there is colored. This is in the action and the kung fu stripes of the 70s and also in Tarantino. They let the symphonic orchestra put accents of dramatic classical music, revive Shakespeare many times, and tell a narrator from the wide.
And they obviously have a lot of fun climbing their story and getting it out of their hands completely. There were so many deaths that the boulevard celebrated the "death record" at that time and Otto Normalviewer did not follow the count. Of 47 dead was still the speech, François Werner of the famous internet portal tatort-fundus even came to 51. All the more surprising that the film is not really cruel or even bloodthirsty effect – Black and Proehl l & # 39; have too far from reality to shock, sometimes we might even think that they "die better" here.
Director Schwarz and screenwriter Proehl do not work together for the first time. Together they created the excellent "Tatort" episodes "Waffenschwestern" and "Because they're bad" with the investigators Dellwo (Jörg Schüttauf) and the singer (Andrea Sawatzki), Proehl also the book for the no less good "Borowski and the cool dog" writes. The first case of the new "Tatort" team from Frankfurt Margarita Broich and Wolfram Koch was a joint venture of this extraordinary and risky duo.
For François Werner of Tatort-fundus "Born in Pain" was the "uncontested culmination of the criminal scene of 2014", as he enthused in a conversation with our newspaper: "This scene of Crime breaks with conventional crime.Watches to see – a lot of spectators, it will probably relax more.I guess it's not really majority, which would be a pity in my opinion.Too unusual, too experimental and too different. "
One thing is certain: this film is an event. And a long time ago awarded a prize.
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