[ad_1]
She was the most famous artist in Europe of the 18th and early 19th century, yes, the success story of Angelika Kauffmann is perhaps the most unusual of a world art story that only knows women. Even today, the works of male artists on the international art market are, in doubt, exchanged higher than women's productions.
At the end of the Renaissance, there was Sofonisba Anguissola, an Italian connoisseur but even more intimate. Then there would be a void in the public consciousness. Angelika Kauffmann (1741 – 1807), born in Chur, Switzerland, but from family in Vorarlberg to the east of Lake Constance, arrived
Already a young girl, she had noticed her father with his talent of designer. Angelika went early to Italy and England, where she ran her own studio in London from 1766 to 25 years: from the royal court with assignments and a co-renewal of British history in 1768, one of two women among the 22 founding members of the Royal Academy. Later Kauffmann was taken over by the academies of Bologna, Florence, Rome and Venice, and soon from London to Naples to the stage star, often suspected of being a male contender. Herder, who visited him as Goethe in Rome, called Kauffmann in 1789, the year of the French Revolution, "that tender soul," "dear Madonna" – and "perhaps the most cultured woman of all". Europe "
. was a universally admired library and in whose salon in Rome next to the Italian traveler Goethe or the poet Karl Philipp Moritz also the painters friends Philipp Hackert and Tischbein were also an emancipated merchant. The artist and networker with clients all over Europe can be considered the richest woman of the time, living only with her hands and her mental work.
Since this weekend, Angelika Kauffmann has many paintings and prints. an extraordinary exhibition in the "Luisium", the former residence of Princess Louise of Anhalt-Dessau, located next to the castle in the park of the kingdom of gardens and water of Wörlitz. An event, a good hour drive from Berlin.
Twenty years ago there was a great Kauffmann show in Düsseldorf and Munich. Since then, many of the artist's lost works have been rediscovered or re-evaluated by adding or deprecating authenticity. The art historian Bettina Baumgärtel, director of the Gemäldegalerie at the Kunstpalast Museum in Düsseldorf, where she is responsible for the "Angelika Kauffmann Research Project", is working on a catalog raisonné of the artist buried in Rome , where she also works at the Pantheon.
90 of the 150 paintings come from an anonymous collector
Baumgärtel estimates the entire work of Angelika Kauffmann to about 2,500 works, of which more than 800 paintings at the l & # 39; 39; oil. But many are considered lost, rarely appear in the originals of the art trade and must, as Baumgärtel says, become increasingly divorced in recent years by copies and counterfeits. The art historian of Düsseldorf is now curator of the Wörlitzer Ausstellung, which will pass at the Vorarlberg Museum Bregenz in 2019 and will probably serve as the basis for a work organized by Baumgärtel in London in 2020.
What is special to Wörlitz: an Austrian collector rather anonymous Vorarlberger Raum), who built the largest private collection of works and documents of Angelika Kauffmann in the last twenty-five years, he is also a lover of Wörlitz: this in the Age of Enlightenment and a new European cultural awareness thanks to Princess Louise and her lover. socially engaged husband Leopold III. a jewel of castle and garden kingdom. Louise was a friend and sponsor of Angelika, she was modeled on her in Rome as an educational traveler – and her portrait thus created is a permanent installation in Wörlitz
The above-mentioned anonymous collector, however, with members family, has "unknown" treasures for the double plural. Vorarlberger Private Collections' announced exhibition provided approximately 90 of almost 150 exhibitions.Almost all are shown for the first time.In addition to a number of oil paintings, this also includes a large number of paintings. 39 etchings often copied and varied, but in the original only forty surviving engravings, including an engraving needle from the possession of Kauffmann.Or as documents the author's manuscripts and a copy of his Last testament: The successes had bequeathed their own collection (to which a Leonardo also belonged) and other precious things generously to the poor, friends and needy parents.Kauffmann himself, who had grown up young as a marriage crook and who , quickly divorced, had only been married with Antonio Zucchi, a 14 year old Venetian painter in a deliberate alliance while he was in his thirties, had no children. And like his father-artist, Zucchi also recognized the superior talent of Angelica, who saw herself primarily as an assistant who even worked for the woman accountant. At that time, a very unusual case.
Source link
