Claude Sandoz at the Kunstmuseum: Many paths lead to paradise



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For over 20 years, Claude Sandoz spends much of the year on the island of St. Lucia, in the Caribbean. The Kunstmuseum Luzern places the Globetrotter, formerly "shooting star" of Swiss art, at the center of a collective exhibition

Julia Stephan

  Claude Sandoz:

Claude Sandoz: "Out of paradise, three happy fishermen at Easter I, St. Lucia". (Photos: Kunstmuseum Luzern / M. Latzel / R. Baumann)

Some artists have never seen a foreign country. Nevertheless, they had so much mind in the mind that he set no limit to their artistic vision. Others have traveled a lot. Nevertheless, they never wanted to give a realistic picture. Consider the Tahiti fantasies of Paul Gauguin (1848-1903) or the works of the German Expressionist Max Pechstein (1881-1955) inspired by the island of Palau.

One of the dreams painted by Pechstein of the South Seas on the lush island beauties of the internal collection is currently suspended in the entrance area of ​​the new exhibition "Ab auf die Insel " At the Kunstmuseum Lucerne. The demands in time for the summer time: What is the travel impressions with the artistic production? What kind of imagination opens abroad? The group exhibition was grouped around a very busy artist: the artist Claude Sandoz. In recent months, he has already put colorful accents at Café Arlecchino Lucerne and Kunstraum Benzeholz in Meggen with his assemblages and watercolors.

How a globe-trotter settled in the Caribbean

Since the 1960s, Sandoz has traveled extensively in the East and India. In 1997, thanks to the help of an artist friend, he found something like a second center of life in the Anse Chastanet resort on the Caribbean island of St. Lucia.

  1000 A4 sheets of Claude Sandoz dominate the walls of the museum

1000 sheets of A4 paper by Claude Sandoz dominate the walls of the museum

He also talks about his work. Colorful watercolors, assemblages, artist's books, installations and silk scarves, distributed by Fanni Fetzer in six rooms, celebrate the richness of color and ornament, use such universal symbols than the sun and the moon. Taste defined. Overwhelming the room, on the four walls of which are hung 1000 sheets A4. They were worked by the artist with different techniques of printing stamps, from watercolor to collage.

Small format paper and watercolor technique are also due to Sandoz's lifestyle and work. He brings his art to Switzerland. The exhibits in a room on a gold painted wooden panel come from the Caribbean. Sandoz cuts the aluminum cans and turns them into glittering stars. The rhythm of his paintings and his interpretative arrangements, which create order in the overabundance, fascinate: "Perhaps," the artist meditates in the conversation, "my more than 20 years of engagement with the Caribbean will end with this exhibition. "

  Women with Colored Rugs "(1920) by Max Pechstein

" Women with Colored Rugs "(1920) by Max Pechstein

Today, scholarships are used to bring artists into workshops of the whole world. Some think it's great. Others are at a loss. A room is dedicated to the works that three artists have created in the improvised artists' residence "Two Hotel" on a Brazilian peninsula. It is only connected to the mainland at low tide. Paradise can also be lonely.

The Fictitious Island State Invented

Samuel Herzog, in turn, invented a fictitious island state, Santa Lemusa, which he represented in Persona during the opening hours of the # 39; exposure. And instead of traveling, the Belgian Rinus Van de Velde prefers to paint his large-format charcoal drawings instead of photographs, to which he subscribes with quotes like that of the globe trotter Alexander von Humboldt: "The most dangerous vision of the world is that of people who have never looked at the world. «

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