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The Staatsgalerie Stuttgart presents Ernst Ludwig Kirchner as a versatile and confident avant-garde artist. And as a master of camouflage. Even his estate was sold under a false name.
Alois Knoller
He was a master in laying false leads. The best connoisseur of the artistic work of Ernst Ludwig Kirchner (1880-1938) was to be a certain Louis de Marsalle. But behind the name, none other than the painter of the "bridge" is hiding: he plainly told a contemporary art critic that he had no idea of his thoughts and motives who guided him in painting. Kirchner preferred to write about Kirchner himself. Like Louis de Marsalle, he knows very well what really moves the confident avant garde artist.
The Staatsgalerie presents its complete collection of Kirchner
The Camouflage imbues now the great Kirchner exhibition of the Staatsgalerie Stuttgart. For the first time since 1980, the museum presents its complete collection, supplemented by permanent loans from a private collection. In the 80th year of the artist's hectic creation, the graphic collection of the house presents its treasure trove of 82 drawings as well as 84 printed graphics and eleven books illustrated by Ernst Ludwig Kirchner.
The then director, Kirchner, had already started in the twenties since 1918 lived in an alpine house in Davos, to acquire. However, they were confiscated in 1937 as "degenerates" in the Third Reich. Construction began again after the war, especially, belonged to a 1957 acquired convolute with 143 drawings and graphics, the "Dr. Gervais Zurich / Lyon" should come from. But this collector did not exist.
Research by the Staatsgalerie Stuttgart showed that all the leaves come from the property of the artist himself. Dr. Gervais was apparently an invention of Kirchner student Christian Laely to sell the works despite the blocking of Swiss assets in Germany. It is therefore "the unknown collection", on which the exhibition directs the view and experiences the fascination and sensuality that characterized Kirchner in the art of graphic design.
The erotic element misses his files
The physics of man. He shows it mostly naked, but his acts are not so much an erotic component – despite some brothel scenes – but rather the admiration of the natural, that's why he often integrated the body into landscapes. This is perfectly realized in the large format painting of beach life on the dunes on Fehmarn. Swimmers are one of his favorite subjects, he often varies the playful action on the water. The first creative attempts are still attached to the Art Nouveau, but under the impression of the Kirchner dance has left the decorative. The moving body requires quick sketches. Kirchner has banned the scene in a few shots, and the fever remains in its development with colored chalk or woodcut. It usually defines angular outlines, almost in the style of comics. He left the realist behind him, he wants to show the essential
The works come out, overlap summarily as fashion designs in the case of "Kokotte" motifs, but superimposed several times of different perspectives – as s & It was a page of Picasso. But Kirchner claims originality and modernity knowing that his contemporaries would not understand his paintings.
Ernst Ludwig Kirchner had workshops in Dresden, sometimes in Berlin. In 1915 he fell into crisis because of a mental illness. He retired to the Swiss mountains. Calm images of senna life on the meadow, mountain valleys and mountain forest have been created. Gradually, his range of topics widened again. Kirchner's "new style" has shown more rounded shapes and more intimate body overlap and penetration. Isolated on the German art scene, he committed suicide in Davos on June 15, 1938 for fear of the Nazis.
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