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With the HBO miniseries Sharp Objects, premiered on July 8 Amy Adams plunges into a darker territory than she may have ever had before – not only in terms of crime plot, but with respect to the physical appearance of his character, Camille Preaker. Sweet spoilers coming for miniseries and romance. Although they may be difficult to see for the onlookers, Camille's scars in Sharp Objects play an important role in her story. They are significant both in the HBO miniseries and in the Gillian Flynn book of the same name on which it is based.
Warning: This article contains information on self-injury and cutting, which some may find triggers
Shocking marks that consume almost the entire body of the journalist – all words and all sentences that she has etched over the years – not only offer an image of self-harm that could resonate with those who have themselves experienced similar struggles, but they also reflect the other things that Camille hides in the world around him. As the mini-series unfolds, the audience watches her ever-shaken relationship with her mother, the pain that lingers on the traumatic events of childhood and the fact that she did not never really had the impression of belonging to his own family. All of these factors contribute to the pain she has felt throughout her life.
In her hometown to investigate two child murders, Camille introduces herself as an elderly journalist who just wants to get the job done, without ever getting too close. his subjects or too emotional about his stories. She heals some problematic alcoholic tendencies, does not let anyone know her as well, and refuses the opportunity to return home to visit her family. She is not one to wear her heart on her sleeve, despite the obvious emotional and physical scars that linger right behind this thin barrier of clothing.
Flynn's book (which also co-wrote the television adaptation) gives insight into why Camille chooses to cut seemingly random words into her body, well that this is not a reason why Camille seems to understand all this. "All I know is that the cup made me feel safe," says Camille as the novel's narrator. "It was a proof, thoughts and words, captured where I could see them and follow them, the truth, piquant, on my skin, in a weird shortcut."
In an interview with The Hollywood Reporter Flynn herself noted that Camille's scars signaled a desire to highlight her pain, if only for someone to understand finally. "The reason I wrote about the scars, about Camille's writing on his skin, was because I thought," Why can not anyone see how much I'm suffering? " Said Flynn at the store. "I wished I could testify one way or the other: I had these fantasies of being mutilated – to show how much I was in pain."
The Camille's notion of "proof" in his book is also interesting given his profession. journalist, she always aims to get the facts cold and hard. It's also revealing to know what readers of the book already know – that there is much more in Camille's troubled childhood than she originally thought, and that we lied to him about the trauma that surrounds his family. Maybe on a certain level, she always knew that she needed some proof in her life.
Adams spoke of the discordant nature of scars, especially in terms of shocking. was to see them on her own body, and how vulnerable she felt as they were added. The New York Times reported that the addition of prosthetic scars to the actor took three to four hours and had to be done every morning of his 90 day shoot, this did not occur. so was not a small task.
Because she said that she did not tend to examine her body in the mirror, Adams did not fully understand the scope of the prosthesis until what her husband takes a picture of her, she said Time magazine. "There was certainly an emotional element to put on the scars in terms of seeing the damage that [Camille] had done to his body," said Adams in the same piece THR .
Flynn also said Time that Camille's past tales and the darkness around her in the present are essential to tell, and they have not traditionally received the Appropriate attention. "The books on how female violence is passed down from generation to generation did not exist [whenIwrote Sharp Objects ]," said the author. "Books on generations of male violence, these are called Great American Novels."
Although Camille's scars are not necessarily a huge driver of the plot of Sharp Objects, they serve as a devastating underlining of the pain that she has gone through, the life of family who favored her, and her despair hidden.
If you or someone you know are planning to hurt you or make you feel suicidal, call the National Suicide Prevention Hotline at 1-800-273-8255 or send the HOME message to the crisis text line at 741741. [19659017]
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