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If others looked up at Mr. Stanfield's acting dreams, his mother believed in him and called him his superstar. Part of their connection was forged by the pain. Mr. Stanfield said that he was going to get involved when his mother and stepfather would fight each other and shout for him to leave her alone. When she could, she would take him to Los Angeles for auditions. When she could not, Mr. Stanfield tried to shove money for the train. And when there was no grass to mow or cars to wash, he panicked.
For a long time, nothing happened in Los Angeles beyond a series of clumsy auditions. Eventually he was in contact with Mr. Cretton, who threw him as a teenager living in a group home for his 21-minute master's thesis project, "Short Term 12." The film made waves at Sundance in 2009, and back in high school, Mr. Stanfield proudly distributed copies of DVDs. He's told that even though he's never had another job in Hollywood, he would be satisfied (he says he's still keeping that attitude today, and that's it.) was a ballast). And for a few years, it seemed like it would be that, because it could not land another party. He worked instead of marijuana, then briefly moved to Sacramento to live with his father, where he sold AT & T door-to-door contracts until he got fired on outstanding marijuana mandates.
Around 2012, Mr. Cretton found the funding needed his shorts in a feature, and put new actors – among them Brie Larson and Rami Malek – in all roles. But no one felt good for the old part of Mr. Stanfield. And Mr. Stanfield was not found. He had dismissed his manager and dropped his old email and phone number. Mr. Cretton eventually found it on a courier board. Mr. Stanfield arrived with his mother from Victorville, for sure. "I was never ready," he said. He read some scenes in Mr. Cretton's living room, and when he looked up, he saw that Mr. Cretton was in tears.
The film debuted and Mr. Stanfield was nominated for an Independent Spirit Award. Yet for months afterwards, he drifted by chance to Los Angeles, alternately sleeping in his car or on Mr. Cretton's couch, because all his auditions ended in nothing. Lying in his own bed, Mr. Cretton would silently send anxious prayers to the Hollywood gods, imploring them not to spoil this one. "Someone recognizes this guy," recalls Mr. Cretton
And finally, someone did it
It's hard to capture in words the place where M Stanfield goes to his shows, where everything is stripped, except for something. so intense and so pure that it vibrates from the screen. In acting jargon, he is wide open. Mr. Riley, the director, stated that Mr. Stanfield feels all that his character feels, and does not give any idea of what it might look like. "He is believed, he saw something that must be felt at that time," he said. Hiro Murai, who led the majority of the episodes in Atlanta, said Mr. Stanfield was the most intuitive interpreter with whom he worked. "He lets himself somehow fall into the moment," Murai wrote in an email. "He is fearless that way."
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