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It must be believed that Quincy Jones was ready to die for his music. His biggest health scare came in 1974, when he suffered a cerebral aneurysm. The blame lies with his workload: he writes half a dozen films a year, records a solo album each year, and produces and arranges for others.
He needed two surgeries to get back to normal, but his friends and family were so convinced that his death was imminent. They organized a memorial with Marvin Gaye and Sarah Vaughan among the artists.
Jones was found healthy enough to attend. This is the first sign that it was unbreakable.
In 2015, he sank into diabetic coma after being stricken with a stroke. Quality of life was still a problem. Since his convalescence, he has been producing events and television shows, guiding the careers of 10 young musicians, mostly jazz, and helping his daughter, Rashida, promote his doc, Quincy of Netflix, about his life.
On November 27, he will leave a more permanent mark on Hollywood when his hands and feet are covered with cement in the forecourt of the TCL Chinese Theater.
Not bad for a trumpet player who made his debut in the big band era.
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Unique musician for 70 years. His Excellency was honored with 27 Grammy Awards, including the award for the year's "Back on the Block" album, a humanitarian Oscar winner Jean Hersholt, an Emmy for "Roots" and an inducement to the Temple of the fame of rock and roll. And he impressed people who do not impress him easily: Frank Sinatra, Miles Davis, Dr. Dre, Norman Lear.
The public of pop music that does not read the cover notes became perfectly aware of Quincy thanks to "Thriller" by Michael Jackson, who has been connecting their names for 35 years. Their affiliation began five years ago with "The Wiz" in 1978, and continued with "Off the Wall," a Jones-based product bringing in a musical team to usher in Jackson's age-old adulthood 21 years old. career highlight for the most part, this is only a chapter for Jones.
Nearly four decades earlier, Jones had been used to music as a way out of the poverty and crime that he had seen in Chicago, his home town. In Seattle, where his father had moved the family, he flourished as a trumpet player. His talents brought him to Berklee, then to the groups of Lionel Hampton and Dizzy Gillespie.
With Hamp, he showed a talent for organizing and soon, he had calls to handle the graphics of Duke Ellington, Count Basie, his childhood friend Ray Charles and others.
He started recording under his own name in 1957, but despite constant tours and recordings, he never had any money.
That's where Q's genius came in: he saw the difference between music and the music business and landed a job at Mercury Records where in 1961 he became the first African-American vice president. of a record company. He would make other firsts in the world of notation and filmmaking.
You will not find another musician with a collection of activities as varied as Jones from the early 1960s to attack this cerebral aneurysm.
After releasing a dozen consecutive jazz albums, in 1962 he began a passion for bossa nova with his "bossa nova big band", which included his "soul bossa nova", later known as the Austin theme. Powers. The same year, he rethought the role of the big band and created "Quintessence," one of the first albums to give relevance to the modern jazz orchestra.
Simultaneously, he entered the office and signed, produced and guided the career of Lesley Gore, who launched a series of successes in the Top 40 in 1963 with "It's Party".
In 1964, he began a career in cinema with Sidney Lumet's "Pawnbroker" while Hollywood had not yet adopted black film composers. Three of his most impressive scores – for "The Heat of the Night", "In Cold Blood" and the television series "Ironsides" – were released in 1967, a year in which he wrote music for six films and two television series.
Also in 1964, Sinatra hired Jones to arrange the music for one of the best albums of his career, "It Might Ways Be Swing" with Count Basie. Two years later, he asks Jones to organize and lead the Basie band for an engagement between January and February at the Las Vegas Sands.
The resulting album is Sinatra's best live record.
He reached a commercial peak with "Body Heat" and "Mellow Madness", which introduced his discovery, the Johnson Brothers.
Apparently, he never stops, unless he's in a hospital bed, Jones has associated his music with international travels as a goodwill ambassador, promoting
the music of old friends such as Clark Terry, whose name may not be in history books, as well as new dynamic talents like Alfredo Rodriguez, Jacob Collier and Richard Bona.
Back in the day, he presciently named his company Qwest. Undaunted by success, he is still on a quest today.
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