The audible tension and the relieved heart of the Ford v Ferrari • AwardsCircuit.com by Clayton Davis



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TELLURIDE 2019 FILM FESTIVAL: The adrenaline of speed and sound are the basis of the joy of living in James Mangold"Sensational"Ford v Ferrari"20th Century Fox. Traditionally created for the sake of public enthusiasm, with the public having been used to it for decades, Mangold is building a deep-rooted history in a sport that truly cares the viewer, even if it's not usually the case. All this is reinforced in particular by the indelible performance of Christian Bale, which achieves one of its most outstanding performances to date. Surrounded by a cast of stars, many show their talents at tender and dramatic moments, the film will keep your ears in shock, the pulse overload and the back at the end of their seat.

"Ford v Ferrari" tells the story of:

American car designer Carroll Shelby (Matt Damon) and pilot Ken Miles (Bale), who are battling corporate meddling, the laws of physics and their own personal demons, to build a revolutionary racing car for the Ford Motor Company and challenge Ferrari at the 24 hours of Le Mans in 1966.

At the Werner Herzog Theater, James Mangold presented the film, speaking sincerely about his first Colorado adventure in 2005, during the first screening of "Walk the Line". Speaking of a film teacher who misses him a lot, the proud captain of this ship was eager to launch him into the world of cinema. The overall view, at least in the room's enclosure of 650 people, is to have it swallowed up.

Ford v Ferrari

Bale mimics parts of his award-winning role in "The Fighter" by David O. Russell, where he played troubled boxer Dicky Ward. His dedication to his craft has never been questioned, as we have all witnessed the role-playing role of the Welsh actor, with astonishing detail not only of the character's motives, but also of his physical behavior. . Bale's attack with frustration rooted in a man whose passion is so deep and so immense that his expectations of respect for others are an obstacle.

The entire distribution appears. Certainly Carroll Shelby of Matt Damon is the weakest writing character. Struggling to find an emotional agreement, the story chooses to give no personal idea of ​​a man who, in real life, has been married seven times and has had itching. They keep it mostly on the surface until it is offered to Damon a moment to mark the beginning of the film, showing the world that he still has it and we should allow him to show it more often.

Tracy Letts asks for attention in his few scenes like Henry Ford II while Jon Bernthal Has Jon Bernthal been the most witness for quite a long time? No uncontrollable anger or strong explosions as he hides subtly under the name of Lee Iacocca. As Ken Mollie's wife, Caitriona Balfe makes the most of his limited time but still manages to stay memorable.

The most surprising thing to see is the young Noah Skirt as the son of Ken, Peter, who takes control of the reigns with such confidence. Skirt begins to stretch your legs and presents memorable passages in movies such as "Wonder" and "A Quiet Place". Our cinematic future is starting to be much brighter because of that.

The director James Mangold has never shown greater determination in filmmaking, as he slips into action and drama with effortless skill. He managed to gain an ambitious 152 minutes running time. The scenario sometimes cracks, while it relies shamelessly on the more classic tropics of action-biopics that we have already seen. Mangold strongly supports it, and a surprisingly tender touch sprinkled everywhere.

A film of this magnitude is nothing without its technical team, and Mangold assembles some big hitters. Marco Beltrami"The score adds to the impeccable racing scenes without ever fearing to shoot a tear or two. This would probably be one of the greatest crossings in the history of awards so Andrew Buckland and Michael McCusker are not among the five nominees for film editing. It is too simplistic to describe all this as a "strong sensation" to describe what they have accomplished. Phedon PapamichaelThe work of the camera is extremely intense, while there are many visual effects invisible to the naked eye that deserve just as much merit.

What is above all is every person involved in sound design. David Giammarco (nominated twice for "3:10 to Yuma" and "Moneyball") and Paul Massey (recent winner of "Bohemian Rhapsody") supports the eardrums, taking into account every vroom, patch and detail you can hear on a circuit. Eric A. Norris"The sound effects editing is just as brilliant, and with all the other team members qualified by AMPAS and submitted by the studio, it will be difficult to find competitors to overtake other films this year (at least at this point).

"Ford v Ferrari"Is an intelligently designed machine. Intoxicating in its construction, suspended in its execution and captivating in its performances. Big competitor for SAG Ensemble is he holds on and earns as much money as one might think. It's a great shot at the start of the awards season.

"Ford v Ferrari" is distributed by 20th Century Fox and will be theatrically released on November 15th.

QUALITY: (★★★ ½)

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