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With 245 feature films released this year, it's impossible to see everything at the bustling Toronto International Film Festival. However, after a week of film and industry hype, themes and potential Oscar races have taken shape.
At TIFF, the audience and the topics that appealed most to the crowd were extremely varied. "A beautiful day in the neighborhood," starring Tom Hanks as Fred Rogers, has charmed just about everyone. Eddie Murphy's comic return, "Dolemite is My Name," sees him playing the lead role in 1970s cult star Rudy Ray Moore. Do not be surprised to see both in the nomination category for Best Actor.
Renee Zellweger's "Judy", a portrayal of legendary film and music legend Judy Garland, earned her a cheering ovation at the premiere and many discussions about an actress. Harriet, whose lead actress, Cynthia Erivo, is a flawless performer, directs a biopic about Harriet Tubman. Similarly, Kristen Stewart, who portrayed the 1960s film icon Jean Seberg in a fascinating story about the FBI's persecution of the actress for her support of the Black Panthers, is excellent, but the biographical film does not do not really get up to meet her. Nevertheless, Erivo and Stewart could both win nominations for Best Actress Awards. Scarlett Johansson seems more than ever a sure thing for Noah Baumbach's "Marriage Story". And Beanie Feldstein ("Booksmart") could be a competitor as a British teenager in "How To Build a Girl".
If the festival offered a price that polarized the most, it would probably go to "Joker". The film had already won top honors at the Venice Film Festival and praised Joaquin Phoenix's main performance as a deeply troubled Joker-in-the-making. Arthur Fleck, but some hesitated before the apparent embrace of the film of a man sinking into murderous madness.
The biggest disappointments at TIFF? For me, it was "Hustlers," the true story of a strip of stripper starring Jennifer Lopez and Constance Wu, who fizzled out what she should have been burned. But this film certainly had its fans, even though I was not among them. The "Goldfinch", more universally played, is the adaptation starring Nicole Kidman and Ansel Elgort of the award-winning novel by Donna Tartt's Pulitzer Prize. Although the prestige images were written there, the drama of two and a half hours bothered viewers.
The reception of Taika Waititi's "Jojo Rabbit" was more homogeneous, although the bizarre satire of the director of "Thor: Ragnarok" centered on a boy in Hitler's youth and his idiot, his imaginary friend Adolf Hitler (played by Waititi himself). even) did not totally collapse. with certain audiences. It's yet one of this year's most daring films, though it's not the most: this honor goes to 'The Lighthouse', a black-and-white guitarist from director Robert Eggers ("The witch") with Robert Pattinson and Willem Dafoe as two lighthouse keepers go crazy slowly. And for the hysterical good-fashioned B-movie, there was "Color Out of Space," an adaptation of an HP movie horror story of Lovecraft's sci-fi starring Nicolas Cage in the role of the patriarch of a family whose farm is infected by a mysterious pink glow after being hit by a meteor.
The films that I most regretted having missed: "Portrait of a lady on fire" Céline Sciamma, a sumptuous French drama of the eighteenth century; "Honey Boy", the story of Shia LaBeouf's violent childhood, which he wrote and interpreted as his own father; and "Parasite", the terrible story of Bong Joon-Ho's class conflicts, which had already won the Cannes Film Festival.
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