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Abrams will be producing with Bad Robot film director Hannah Minghella. Reeves is not involved in the project.
Cloverfield was a monster film, shot in the style of footage found then popular to reflect the growing ubiquity of video cameras. He followed a group of New Yorkers in their twenties as they attempted to navigate the city during an attack by a giant monster. The film was made under the radar and used a viral marketing campaign to generate interest. The tactic worked: The film, made for $ 25 million, had a massive $ 40 million opening weekend and rose to $ 172 million gross worldwide.
It spawned a “Cloverfield universe” which saw two more modest films, 10 Cloverfield Lane and The Cloverfield paradox, published in 2016 and 2018, respectively. These films were originally developed as separate films, but were folded under a Cloverfield banner linking them to a related story with sci-fi and monster themes. When Paradox Critically disappointed after being sold to Netflix and with Abrams’ attention apparently focused on his deal with WarnerMedia, it was presumed that the Cloverfield the franchise was buried. (But no brand in Hollywood ever really dies, right?)
The details of the take are hidden under Central Park.
Barton created and wrote the East-meets-West crime drama Giri / Haji BBC Two / Netflix. But he recently made headlines when he stepped in as a showrunner for HBO Max’s Gotham City Police Department’s Batman-themed crime show after Terence Winter, the previous showrunner, left for HBO Max. creative differences.
In the box for Barton is Invasion, an alien invasion film starring Riz Ahmed and Octavia Spencer which will debut on Amazon.
It is replaced by ICM Partners, Grandview and Independent Talent Group from the UK.
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