[ad_1]
Selena Gomez has 150 million followers on Instagram and nearly 58 million followers on Twitter. And yet, Wednesday, the pop sensation has exploded the clicks that earned him his fame. At the press conference of her new film "The Dead Do not Die" in Cannes, the 26-year-old star called social media "dangerous" and "terrible for my generation".
Amen, @selenagomez.
For us millennials, choosing who we are for Snapchat, Instagram, Facebook, Twitter and dating apps is part of everyday life.
But is it really normal for each of our movements to feed Silicon Valley data storages?
My friends will choose a restaurant because it will give them a good Instagram picture. When we hang out, we are talking about strangers we know intimately on our screens – say, YouTuber and beauty guru James Charles – as if they had just left the room.
A few weeks ago, sitting in a park with a friend of the university, I realized that I sound more like a "Portlandia" skit than by a person.
"Have you read this? did you see that? I asked her, pulling out a list of accounts that she should follow.
I was more concerned about his digital good faith than by his fate since moving to New York.
Earlier this year, at an appointment, I sought the help of the poor guy to create a clever tweet to accompany an Insta story I had written. How fast can you hit "ghost"?
For me and the vast majority of my peers, the attack of whistles and buzzing from our pockets alerting us to the latest movement of celebrities does not just give us a shot of dopamine. It is also a scary reminder that we should contribute ourselves to the content of the circus. It's beyond Pavlovian. It's pathetic.
We have fun, right? Wait, can you do this thing again, this time in front of the camera?
We spend excessive resources to show our best and most authentic "self" about our food: we buy a toothpaste coal, Cronuts and vitamins for the hair to try desperately our tastes.
We then compare these virtual numbers to those of our true friends.
The next leg of the trip? Get emptied by legions of faceless keyboard warriors who can not even look you in the eye while damaging your self-esteem.
Wherever it is, it can not be good.
Gomez's feeds are scrutinized by his fans with the investigative precision of an anti-terrorist unit.
Mine are examined by my mother.
But worrying about appearing witty on Twitter or ironic enough about Instagram stories is as serious as being exposed to a bad job in Photoshop.
The constant maintenance of our own brands online gives the impression that we have landed in an edifying story of science fiction. By self-censoring and making obsessive decisions, we turn into cyborgs. No robot revolt needed.
As the saying goes: "If the product is free, you are selling."
And yet, Gomez has not yet cleared its accounts – it's an addiction that we can not eliminate.
[ad_2]
Source link