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Know that there is spoilers for perfection below.
Chances are, now you've probably heard about Netflix's wild thriller Perfection. If you do not do it, get out of here and come back after watching it! The last original of Netflix comes from The matador and regular girls director Richard Shepard, featuring Allison Williams and Logan Browning as two cello prodigies that fit into a twisted relationship that evolves through rivalry, romance, revenge and many other things throughout the film.
It's a twisted and twisted thriller that continually surprises and is certainly not afraid to shock, so naturally, I was excited to have the opportunity to talk to the director and co-screenwriter Richard Sherman of his inspirations, the most surprising moments of the film and this insane final shot.
Final spoiler Warning!
Image via Netflix
Perfection Allison Williams as Charlotte, Cellist and former student of an elite music academy, she abandoned her dreams for ten years to care for her sick mother. The film begins with a picture of Charlotte's mother, lying dead in her sickbed, and we are reborn as if Charlotte's mission was engaged in her "mission". She renews contact with her former music teacher Anton (Steven Weber) and meets Lizzie, the stunning cello prodigy of the crazy talent who succeeded him at the academy.
In a short time, Charlotte and Lizzie go from rivalry to flirtation, find themselves in bed, and then bond enough to make an unwise trip together at the last minute. We know that Charlotte is preparing something, presumably a jealous act of revenge, but Williams never leaves her character aside, and you can not help wondering what her game is, even though she's eating Lizzie's mysterious pills. There is a profusion of insect-like horror contagion and a nightmare scenario that wants one to be stuck in a bus in the middle of nowhere during a medical crisis, and as soon as the girls are stuck on the side of the road without any help in sight, Shepard rewinds (literally) the film to give us our first round: there is no contagion, no viral infection and no insects.
Image via Netflix
Charlotte drugged Lizzie with her mother's old pills and used the power of suggestion to trigger a hallucinogenic panic. She convinced Lizzie that her body was invaded by insects and that the only way to stop him was to cut off her hand. A horrible act of revenge against the girl who replaced her – or does it?
Inspired by the horror of South Korean revenge and especially by the works of Park Chan-wook (Perfection often looks like a sister film from Park's unpredictable erotic thriller The servantShepard designed a movie that would never be what the audience expected. "I like the way [Park] He plays with the structure and makes twists in his films that are outrageous, "said Shepard," and yet, all of this makes sense in the final film, and I love how well he does all this with elegance. . "
Another key influence for Shepard and his co-authors Eric C. Charmelo and Nicole Snyder was the Netflix docuseries. The gardians, who investigated a possible church concealment surrounding abuse of power and the murder of a nun. "It was an important starting point for us about the idea of this systematic abuse," Shepard explained. and this has become a kind of "Oh, well, it will be very interesting, in terms of the underlying conspiracy."
This underlying plot reinforces the following few revelations of the film, all structured around the fact that Anton is a child rapist and that his prestigious music college is built on a godly perverse belief. Founded on a horrible "tradition" of which Anton himself was a subject, the Bachoff Academy of Music has been teaching systemic sexual abuse for decades. It is a false house of piety, which incites students to a false faith, in which instructors insult young musicians when they fail to achieve "perfection," ie. That they play without error in a special acoustic room called "The Chapel". ".
Image via Netflix
Perfection It's a revenge movie, but Charlotte's vengeance has never been against Lizzie, but Anton, her fellow instructors and the institution that taught them and made them possible. On the contrary, Charlotte's mission was to save Lizzie by all means necessary, and she knew that her brainwashed lover would never leave voluntarily. But Charlotte's will to save Lizzie did not start with their affair; it comes much deeper. Twice in the film, we see the moment Charlotte and Lizzie crossed the stairs as children; The last day of Charlotte at the Bachoff Academy before leaving to take care of her mother, and the first of Lizzie.
"I thought it was ultimately a friendship story," Shepard said. "Allison's character sees in her memory a young girl leaving this academy as the young Logan character climbs the stairs. We see this image twice in the film. For me, that was the film, that is to say that Allison could have said something to her: "Do not go in there", but did not, for many reasons. It was a child, she was a victim of abuse. There were many reasons why she did not do that. "
Nevertheless, for Shepard, the film relies on how guilt devastated her during her decade away from Anton and the academy, and Perfection This is the story of her revenge, certainly, but most of all, her quest to save Lizzie from what she let her in. "I felt she had to endure this guilt for ten years, "Shepard said. "She had to live with the pain of what she did not do. So it was a movie about someone who was trying to fix that. She may be completely lost, perhaps, in the way she did, but the fact is that that's what history is all about. There is therefore a level of redemption and, above all, empowerment, by its ability to do so. "
Image via Netflix
Which brings us to the final image of the film. The last and the most powerful power of all; Charlotte did not return to the Bachoff Academy solely for revenge; she teamed up with Lizzie to finally get Anton off. In fact, Lizzie had the idea to go there. After a frightening performance in the chapel that leads Anton's evil home, Lizzie releases her and the two men kidnap their guardians, including a brutally bloody fight with Anton who devastates Charlotte's left arm. Fortunately, Lizzie still has a bright right arm and the last shot of the film finds the two women, closely related on stage, playing the cello together, discovering a new way of doing art born from the bond of their common survivor. With a completely disfigured person (we are talking about all cut members and eyes / mouth closed) Anton forced to listen to the audience, not less.
Shepard says that they found this final image in the writers' room, but they did not know if it could work before the rehearsals. He did not want to use body doubles or computer graphics. He asked the two actresses to learn to play the cello, which they removed after months of rehearsals. It was then that they could see the last plan in play. The two women crammed together and played knowing that the closing image would work. "It was sexy, disturbing, empowering and crazy, but also kind of perfect," Shepard said. "It was really [perfect] for what they lived, they would be tied together like that for the rest of their lives. "
Lastly, it's also pretty romantic – well, at least if you're as weird as this movie is. "You've been and always will be the person who makes my heart beat when you play, "Lizzie tells Charlotte, her idol, the first time they play together. Perfection leave us with the image of them playing together in their victory forever.
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