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Thanks to Marvel, we live in the era of post-credit sequences, whether in film or on television. But while most shows and movies are content with a little extra scene, a gag or a trailer for upcoming events, The dark crystal: the age of the resistance do something different
It's not really a spoiler – there are no story details here for Age of resistanceThe first season of Stellar. But it's such a nice surprise that if you do not want to know exactly what happens when the credits of the tenth and last episodes come out, here's your chance to turn around.
(Go finish Age of resistance. His really well.)
When Rian's, Deet's, Brea's and Hup's journey is coming to an end, you're likely to end up with a host of burning questions about what happened and how it could all be between here and the original. Dark crystal. But at the same time Age of resistance something that plays after the credits, it's not really a post-credit scene that could answer some of these questions.
Because it's one hour and 23 minutes. And it's a complete documentary, behind the scenes, entitled Crystal Calls: Making the Dark Crystal: The Age of Resistance.
Directed by Randall Lobb and produced by Definitive Film, the documentary may not be a detailed description of what you have just seen happening on Thra, but it is helpful to answer at least one of your likely questions : how on earth did he do this show on puppet fantasy creatures actually getting done? The answer, Crystal calls find, it's with a lot of work and craftsmanship. Oh, and occasionally put a backpack of about 30 kilograms of Skeksis puppet. In the journey to find this answer, Crystal calls has some really incredible little nuggets of information Dark crystal the fans salivate with delight.
Everything from beautiful exams to the mechanical skeletons of the puppets themselves, to the graphics behind the Brea notebook (a key element of Age of resistance), receives a lavish Crystal calls'Goal. Beyond that, there are also many intriguing looks about what the show could Another timeline: Proof-of-concept visuals from Henson's test footage featured Netflix in a place where the series was primarily computer-generated, featuring a fully fledged CG Gelfling puppet Skeksis, before decision is taken Age of resistance an essentially practical show. Overall, the documentary never felt that the documentary is easy to use and minimizes the modern use of CG to praise the craft approach. If something, Crystal calls takes the time to recognize the importance of computer graphics enhancement, from green wallpapers to blue puppet costumes, which allow bold design choices like Lore the Stone Guardian to become a concrete and concrete.
But you also have the chance to see the depth of passion that has led to Age of resistance to life, directly from people who had a hand in it. Featuring interviews not only with voice actors, writers and producers behind the series, Crystal calls rightly emphasizes the work of each discipline that has contributed to the creation of the show, from puppeteers to graphic designers, from builders to designers, from people like composer Daniel Pemberton to Joe M. Lee, the novelist who not only wrote several Dark crystal prequel books, but helped develop the Podling language used in the show. All facets of production are not simply represented, but embraced. The importance of each of these people is never devalued or understated – the word of a star such as Taron Egerton, Rian's voice, has so much weight in Crystal calls as says Neil Sterenberg, the puppeteer behind Rian, and is in turn given to someone like the producer and writer Javier Grillo-Marxuach.
Aside from respectful respect for the people involved, these interviews clearly show the love these people have for the world in which they work. Egerton is perhaps one of the most exciting – rejoicing cheerfully as he recalls the original film, the moment he was able to be part of this sequel, and the artistic talent on display. But the legacy of what Age of resistance represents as a generational passage of the torch is best represented in Crystal calls by two families essential to Thra: the Hensons and the Frouds.
The first is represented by Age of resistance Producer Lisa Henson and her sister Cheryl, President of the Jim Henson Foundation, both speak warmly of the work done by their father and what he would think of the new series. But the Frouds – designer Brian, puppet maker Wendy and their son, Toby Froud, design supervisor and also, yes, the baby of the labyrinth… especially to physically embody this crossing of barriers across generations Age of resistance is, as we see them working together, and in the case of Brian and Wendy, come back to their innovative work for the original, seeing that they see their son and so many others pursuing him by their side for the new series .
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I'm dying to see what could wait for us Age of resistancebut for the moment Crystal calls it's the perfect tip to watch this season, a perfectly placed reminder that the magic you just watched is the dedicated work of hundreds of highly motivated people. You can simply search for it directly on Netflix, choosing to loop it automatically in the credits of Age of resistanceThe last episode is perhaps the best way to see it for the first time: it surprises you at the best time. "How was it even done?", Ask yourself, while these credits play for the last time.
"Well, here is How," Crystal calls answers. And that answers so well.
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