The Fujifilm GFX 100 is a medium format camera that works like a mirror without a mirror.



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Fujifilm has officially announced its next medium-format camera, the GFX 100. The latest model GFX, the new model, joins the GFX 50S and GFX 50R, marketed respectively in 2016 and 2018. The GFX 100 presents significant advances over previous models, including much higher resolution, image stabilization in the body, and much faster performance. It will be available from June 27 for $ 9,999.95.

Unlike previous medium format cameras from Fujifilm, the GFX 100 has a full-size design, which means it has a built-in vertical grip and a much larger position than the typical mirrorless camera. The size of the latter is much closer to that of the Canon EOS-1D X than the Fujifilm GFX 50R itself. Inside this imposing three-pound frame is a new 102-megapixel sensor and this five-axis image stabilization system, which, according to Fujifilm, provides up to 5 , 5 levels of tremor correction.

In addition, the GFX 100 is the first mid-size camera with phase-detection autofocus, which significantly improves its autofocus performance over previous GFX models. Fujifilm claims to deliver performance gains of up to 210 percent compared to GFX 50S and 50R contrast detection systems. It can track subjects up to 5 fps in its continuous focus tracking modes and can perform focus under lighting conditions as low as -2V. The sensor measures 55mm diagonally and provides approximately 1.7 times more surface area than a full-frame 35mm chip.


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The new 102 megapixel sensor also offers much higher resolution, placing the GFX 100 at the same level as some of the mid-range high-end systems from Hasselblad and Phase One. This is a rear-illuminated CMOS chip, similar to Fujifilm's X-T3 consumer camera sensor, capable of rendering 16-bit images through the company's X4 processor. The new sensor has an ISO base of 100, with a higher range of 12,800 before boost.

The video functions of the GFX 100 are also very similar to those of the X-T3: it can record 4K sequences at a maximum speed of 30 fps using the full width of the sensor. It can transmit 4: 2: 0 10-bit sequences to an SD card or 4: 2: 2 sequences on an external recorder via HDMI.

Other changes to the hardware include a new 5.76 million-dot OLED electronic viewfinder, support for two batteries with up to 800 shots, a two-way tilt touch screen, and total weather resistance. Fujifilm has redesigned the top plate of the camera to be more flexible for different types of shooting, be it video shooting, manual or automatic. Although it has abandoned the dedicated ISO and shutter speed dials that have made Fujifilm's X-Series mirrorless cameras so popular with photographers, the new display panel can reproduce these dials digitally. , thus allowing a similar direct control.


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I had the opportunity to shoot with a pre-production GFX 100 before today's announcement, and my greatest satisfaction was how similar Fujifilm X-Series cameras were to he had achieved in terms of usability and performance. While the GFX 50S and 50R were significantly slower than the X-T2 or X-T3 on virtually every front, and therefore much more laborious, the GFX 100 felt as vivid and responsive as it could be. 39; wait for a modern camera without a mirror, but with a much higher output resolution. The performance of the autofocus really impressed me: the camera was able to focus on a variety of lenses and subjects, and it all had the same features of automatic point with face detection and sight that that of the X-T3.

Of course, manipulating the GFX 100 is a completely different affair from a smaller camera, and I (inadvertently) tested the durability of its magnesium alloy body when it slipped from my hands and tilted to the ground. concrete. Apart from the dust easily removed, the camera was unscathed and continued to run smoothly.

The GFX 100 marks a big step forward for Fujifilm and the world of medium format. It is a camera capable of hanging on the high end in terms of resolution and features, but it is available at a much more affordable price. Although this is definitely not the camera for me, nor for the average amateur photographer, nor even semi-professional, professional shooters who have used full-frame digital cameras to replace their film format cameras medium should probably give the GFX 100 a serious look.

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