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Photo: Warner Bros. Photos
A new year has arrived, and with it a new culture of literature, music, films and other media is entering the public domain. “That means the copyright has expired,” says Jennifer Jenkins, director of the Center for the Study of the Public Domain, at NPR. “And all works are free for anyone to use, reuse, build for anyone – at no cost.” In other words, as of today, the flagship works of 1925 are yours to have, hold, and fit into an anachronistically or zombie-filled musical prestige horror drama.
F. Scott Fitzgerald’s Gatsby the magnificent, Virginia Woolf’s Mrs. Dalloway, Earnest Hemingway’s In our Time, Sinclair Lewis’ Arrowsmith, Aldous Huxley’s These sterile sheets, Agatha Christie’s The secret of fireplaces, and The New Negro, edited by Alain Locke and featuring works by authors like Langston Hughes, Jean Toomer, Zora Neale Hurston and others, are just a few of the tomes now in the public domain.
As for the movies, Buster Keaton’s Go west, Harold Lloyd’s The Freshman, The Merry Widow, and Lovers in quarantine have also arrived, while songs like “Always” by Irving Berlin, “Yes Sir, That’s My Baby” by Gus Kahn and Walter Donaldson and “Shave ‘Em Dry” by Gertrude “Ma” Rainey can be immediately added to the song. soundtrack of your film.
You can check out the list of works curated by the Center for the Study of the Public Domain or spend the next twelve months browsing the full list, which includes brochures, flyers, periodicals, maps, lectures, and sermons. Because Hollywood loves an existing IP address, and why shouldn’t that IP be a 1925 brochure?
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