The MacArthur Foundation Announces 26 Winners of a Genie Grant



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It was an exciting year for poet and fiction writer Ocean Vuong.

In June, his first novel, "On Earth were Briefly beautiful, " written as a letter from a Vietnamese immigrant son to his illiterate mother, went out to a lot of fanfare. Shortly before publication, Vuong's own mother was diagnosed with Stage 4 breast cancer.

Then, earlier this month, he was back from his book tour and was looking forward to the stable teaching routines at the University of Massachusetts at Amherst, when he received a phone call delivering startling news.

"I had to make sure they had the right person, because you do not want to cry and then ask them to say that it was a mistake," he recalls. "But then tears came."

Mr. Vuong, 30, is one of 26 people selected as members of the John D. and Catherine T. MacArthur Foundation in 2019. Known colloquially as the "Genius" grant (to the annoyance of the foundation), l & # 39; friendship honors "the extraordinary originality" and accompanies a flawless grant of $ 625,000, to distributed over five years.

This year's Fellows, announced Wednesday, include personalities from the art world who have gained increasing recognition, but have little family name status, for work that pushes the boundaries of disciplines and genres . Among them, Annie Dorsen, 45, a theater artist that integrates artificial intelligence into performance; Valeria Luiselli, the author of the recent novel "Lost Children Archive"; and Mary Halvorson, guitarist and composer working at the intersection of jazz, rock, folk and other styles.

There are also scientists, historians, lawyers, community activists and others, all chosen at a time in their careers where price could make a difference.

"We are looking for people who have demonstrated what I would call big-C creativity," said Cecilia Conrad, executive director of the foundation and head of the scholarship program.

[[[[See the complete list of MacArthur Grants recipients.]

The youngest, at 30, are Mr. Vuong and Cameron Rowland, an artist who used objects seized in civil forfeiture or created by penitentiary labor to expose racialized exploitation systems.

Although it may seem like an almost divine love at first sight, people have described the satisfaction of knowing that the world – and especially their peers – has been attentive.

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