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The 5-axis internal stabilization system is the same as that used on the S1 and S1R, but how does it work for video? I found out that it allowed me to make static, natural-looking static videos with a little buzz and weave to the Law and order. If you try something more ambitious than a follow-up plan, you will get jolts that will hurt your viewers, unless you are much more stable than me. IBS does not replace a gimbal, after all, but it will serve a pinch if you forget your tripod.
The S1H has the same 5.76 million dot EVF, which impressed me on the last two models. It's better than an optical viewfinder for video because I saw exactly what I've recorded, including exposure, white balance and focus . With a refresh rate of 120 fps and a delay of 0.005 seconds, it was extremely fast and ultra-transparent.
The most noticeable change between the S1 / S1R and the S1H is the fully articulated rear display, which probably explains the extra weight. Panasonic has made a new round here: not only does it rock and swivel like the GH5's display, but it also rockers. "The combination of a tilting and pivoting mechanism makes it easy to frame unusual compositions and creative angle shots," Panasonic said in the S1H brochure. In the real world, I did not really see the benefit, apart from making the shooting in a low angle a little faster.
Combined with the IBS (Integrated Body Stabilization), the S1H will become the ultimate vlogging camera if you can support the weight. More importantly (for me anyway), it made it easier for me to film myself for "standing" tasks in front of the camera when he was on a tripod.
The increasingly sophisticated autofocus of contrast-sensing "depth from blur" of Panasonic, which detects contrasts, will also facilitate shots on the fly. Since the launch of the S1, Panasonic has made considerable progress with this system, reducing the amount of "hunt" to focus when recording video. I found that by filming different subjects and myself, the focus was perfectly locked.
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