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A few days after the announcement of the selection of "Parasite" for the main competition of the Cannes Film Festival, the South Korean director Bong Joon-ho warned the local press not to wait for it. that his film wins the Palme d'Or. He also suggested that the film was "hyper local" and perhaps hard to understand for the foreign audience.
Whether it is a case of false modesty or an authentic case of nerves before presentation, Bong does not have to worry about evidence of screening Tuesday evening gala.
For more than five minutes after the lighting of the lights, the credits being almost finished, the public of the Grand Théâtre Lumière of Cannes was standing, applauding and applauding. That appreciation almost matched the six-minute standing ovation earlier in the day for Quentin Tarantino's "Once upon a time in Hollywood".
Bong received hugs from her cast, and one from girlfriend Tilda Swinton, before closing the debate. He took a microphone, said "thank you" in Korean and English, then a simple "let's all go home".
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Despite Bong's earlier warnings and his return to his Korean mother tongue after two attempts in English, "Snowpiercer" and "Okja", "Parasite" is a perfectly accessible drama about two families belonging to opposite extremes of the economic spectrum. inserts into the other.
But "Parasite" is the work of one of Korea's best-known filmmakers, and this simple-sounding installation is a sign of multiple, darker twists, rooted social commentaries, and scenes of comic violence.
On at least two occasions, the official screening of Tuesday night was punctuated by spontaneous applause: one as a crescendo of dramatic dialogue was conducted to a resounding conclusion, and another was more physical, as one character appeared get the right return. There is also room for some smart North Korean jokes.
At his press conference in Seoul in April, Bong suggested that his actors were more likely to be recognized in Cannes than the film as a whole. While Song Kang-ho, a veteran of Bong's "Snowpiercer" and "The Host," was helpless, funny and fearful as a father of a family of collapsed criminals, "Parasite" is largely a set piece. Choosing individual winners would be difficult. Choosing "Parasite" as a candidate for some sort of Cannes reward would not be.
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