[ad_1]
[Cettehistoirecontientdesspoilersdelasériefinalede[Thisstorycontainsspoilersfromtheseriesfinaleof[Cettehistoirecontientdesspoilersdelasériefinalede[ThisstorycontainsspoilersfromtheseriesfinaleofGame of thrones.]
At the end of an era at HBO, a new story begins.
Two days after saying goodbye to Game of thrones – with a final that ranks as the most watched episode of cabler already – Casey Bloys, president of HBO programming, is ready to look to the future. More precisely, the multiple others Game of thrones prequel series and the impressive pipeline of originals of his network, which includes the third season animated with a reboot Westworld and originals of the likes of J.J. Abrams and Joss Whedon to name a few.
In a broader sense, HBO's Bloys has received new instructions under the new parent company WarnerMedia – to do more. This is reflected in the addition of Bob Greenblatt, former president of NBC Entertainment, who now oversees HBO, TNT, TBS and the upcoming WarnerMedia streaming service. Bloys, however, already has HBO well positioned for the future with a very prominent list of originals that also includes releases in 2019 Watchmen, Euphoria, Her Dark Materials, Just Precious Stones, Mrs. Fletcher and the second seasons of thrusts Succession and Big Little Lies. Those who join the 2020 returns of Westworld, The New Pope, My Shining Friend and David Simon The plot against America, among several others.
Below, Bloys talks with The Hollywood Reporter about the criticism that came with the last abbreviated season of The thrones, if suites (hello again, Arya Stark?) are considered and when viewers can expect that this prequel is directed by Naomi Watts.
the Game of thrones The series finale was at least a divisive source, but now ranks as the most-watched TV episode by HBO already. How do you feel about all this?
I think your TV critic, Tim Goodman, summed it up very well, that there is no way for the guys to have landed on this plane in a way that would please everyone and not want to make everyone happy. I think they did a nice job. You just have to accept that everyone will not agree with the choices. I paraphrase Tim but essentially to show this big, and this epic and this sprawling they [creators/showrunners David Benioff and D.B. Weiss] have to make choices. What's great about the show is that people have the feeling of feeling a lot of things – positive and negative. Many people had invested in the characters and hoped for certain things and wanted to see some twists and turns. There is probably a bit of grief going on at the end of the show. I understand, I understand: it's a great show and people have really invested a lot – and that says a lot about what the show did. People really cared about it.
Most critics point out that the last season was too fast and that many great moments did not feel deserved. Can you tell us about the decision to make a total of 15 more episodes in the last two seasons? Was there a conversation to be done anymore? What do you think of these critics? Why end with an abbreviated term?
No, I can not talk to you about this decision. The guys know what they want to do for a very long time. They have a plan in mind. I'm on record saying that I would take five more seasons. But they had a plan they wanted to do and it made sense to them. They made that decision a long time ago and they are doing it exactly as they had planned.
Was there a conversation while it might feel … a bit compressed?
They made that decision a long time ago. But no, I'm not aware of any conversation that could have been cluttered, or anything like that.
Was there a way that Game of thrones could have gone on without Benioff and Weiss in its current form?
No, I do not think any of the actors would have done it. The shows must end. It was eight seasons, it's a great epic and the shows must end. It's part of the television lifecycle.
When Benioff and Weiss presented the final of the series, what was their biggest reason for Bran six kingdoms?
I am certainly not going to paraphrase their thoughts on something so big. If they want to talk about it, they can. But I will not characterize their thinking about it.
Was there a big takeaway conversation that Benioff and Weiss hoped to convey about power in the series finale?
I will not throw more fire on the discussion by describing their thoughts behind this one. I think the last season, the show, the finale speak for themselves. It's not fair for me to characterize their thinking.
George R.R. Martin said that there were still three prequels in the mix, two at the scenario stage and the third, the driver to film this summer. Is it correct? Can you specify which two scripts are still active? (Bryan Cogman said his prequel script was dead.)
I do not clarify anything but yes, we pulled the first pilot in June. There are two more in development and beyond, there is nothing else to report.
You have the driver and two other scripts in the jobs. What projects do you have right now to put other projects in development? Or do you expect to see what happens with the other two scripts?
It is not currently planned to put more in development. We are not looking for or going beyond what we have in the current pilot project.
If successful if these two scripts come in and the pilot does it too, do you have three more Game of thrones shows?
[[[[Laughing.]All the theoretical problems and all the problems of high class! Who knows! I do not send it and I do not exclude it! I do my best not to give you definitive answers to speculation.
Given the keen interest in doing more – not just volume for WarnerMedia but your crown jewel – what is the current schedule for the next Game of thrones original series?
We turn the pilot in June, you can do the math and know when it will be broadcast. What am I do not to do is to work backwards saying, "This at be on the air by this "We want to do the best thing we can, it's a pilot, so we do it old-fashioned, that is to shoot a pilot, I think it'll be great and we'll move on. regular, I do not want to speculate dates.
What did you learn from this season's elements that were not well received and how can this impact your approach to benefits?
There is no scenario where Jane saw the episode and said, "Oh, I better change this, that or something else." We try to have a show that looks like its own show in the universe but we do not try to play the same show. They are not the same characters, it is not the same dynamic. It's not like we're taking the existing show saying, "X, Y and Z worked, so let's do that." It's a writer, a creator, a sensation and a different world. We do not take anything this season and apply it to it by any means. … Some people felt that [it was rushed] and some people did not do it. There is nothing I am going to take this season and apply it to successor shows. It's now how I look at it. The only thing about how this season was received, I think Tim had the right idea – that it was a huge, gigantic and very popular show. which makes some of the fans unhappy and some of the fans are delighted. You can not finish such a giant show that everyone likes and I do not think that's what Dan and David were trying to do.
The three successor shows are all prequels. In the finale, Arya continues to explore what is west of Westeros. Have you considered exploring suites? Specifically, Arya Stark during his trip west of Westeros?
No no no. No, a part is, I want this show – this Game of thrones, The show of Dan and David – to be his own thing. I do not want to take characters from this world that they have beautifully created and put them in another world with someone else creating it. I want this to be the artistic piece that they have. That's one of the reasons I do not try to do the same series. George has massive, massive world; There are so many ways to enter. That's why we try to do things that seem distinct – and do not try to redo the same show. This is probably one of the reasons why, for the moment, a sequel or a capture of the other characters does not make sense to us.
Benioff and Weiss are looking for a global offer. they have Star wars following. How important is it for you, HBO and WarnerMedia as a whole, to stay in society?
They meet everywhere, which I totally understand. It's a good time to be creative. People open doors and spend money. So, if you are a designer with a proven track record, it's a good time. I think they're doing the right thing and see what's going on. We obviously have a strong relationship with them; Warner Bros. worked with them, both individually. We will see where they meet. Obviously, we think they're great. They follow the process that they should follow.
Are you confident that they will come back?
I will not call it that because the process is just beginning.
What is the status of George R.R. Martin's global transaction?
It's the status quo; they take but there is nothing important there.
You used the Game of thrones final of the series to watch WestworldThe comeback of 2020. How long has this trailer been to reassure viewers who may have left the series after the second season or who were considering dropping HBO after The Thrones?
Why do not we show this trailer ?! It's a big and exciting show. It was not reassuring; it was exciting people.
Will it be as unrecognizable as the trailer suggests?
There are always robots, so here it is!
Does he still have James Marsden and Anthony Hopkins?
There are still robots, that's all I'm going to say!
Follow THR.com/GameOfThrones for ongoing coverage all season.
[ad_2]
Source link