The story of Charles Manson's song in "Once upon a time in Hollywood"



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The first time we see Charles Manson's disciples in the long-awaited epic of the Manson family, Quentin Tarantino, Once upon a time in Hollywoodthey do not seem exactly murderous. They look sweet and innocent – a team of barefoot hippie girls rummaging through a dumpster for food. They laugh and sing together, cappella. It's a strange song. It sounds like a nursery rhyme, which I supposed to be the first time I saw the movie. This is not it.

Unlike most of the pop jewels of the '60s, Tarantino came out of the dark for his 1969 kaleidoscopic love letter and the Manson family tradition. This title will not be familiar to most viewers of the Boomer age. This is because it is an original of Charles Manson. Entitled "I'll never say, never, always", it appears as a 39-second break on Manson's album in 1970, Lie: The cult of love and terror, sung by young women with angelic voices. (Lynette "Squeaky" Fromme, played in a memorable way by Dakota Fanning, is one of Manson's daughters to whom vocals have been attributed to this album.) The restitution of the film is clearly inspired by this recording: fast, happy , acute. There is an audible laugh. And although the sect leader's words are so simple ("they seem largely composed of rhythmic phrases learned from Manson," said arwulf arwulf in an AllMusic review), I'll admit that the song has a certain charm childish.

The song does not appear anywhere on the soundtrack of the movie, which makes sense. First, the producers probably do not want to give the impression of promoting Manson's musical works. On the other hand, no one wants to listen to this creepy hippie between the mid-1960s jams, like Roy Head's "Treat Her Right" and the seven-minute hot blanket of "You Keep Me Hangin". On "of Vanilla Fudge. the song as it appears in the film is not a pre-existing recording; as far as I know, it is sung by the actors.

In an interview with VarietyMary Ramos, Tarantino's long-time music supervisor, confirmed that it was a real Manson song. "And just to let you know, because even if we were going to use it, we wanted to … know what happens if this money is used, where does the money go," Ramos said. "And there was an established trust for the victims, and no one, even associated with the Manson and the Manson family, makes any money with this song.

It is well known that Manson was, in addition to his Beatles obsession, an aspiring singer-songwriter. Before the brutal killings of Sharon Tate and others, he sought fame through more artistic means. He was not really good. As critic Stephen Thomas Erlewine wrote in 2017, "Manson was at best a musical mediocrity, a guy who could possibly compose a dippy melody, but who would usually scratch in the hope that he conjure a song. Once upon a time viewers may not know that he is a victim of rock royalties (including Neil Young, impressed by him) and even landed on a song from the Beach Boys album 20/20, which has been deeply revised and renamed "Never Learn, Do not Love". This success stems from Manson's strange friendship with Dennis Wilson, whose house Manson and his women were requisitioned and crushed for months. (Before the murders, Manson broke this friendship by behaving like crazy and threatening the Beach Boy with bullets.)

Although Manson himself gets surprisingly little time on the screen Once upon a time, the film is littered with subtle references to his musical "career". In a disturbing scene, he hides in front of Tate's house and, greeted by Jay Sebring, indicates that he is looking for Terry Melcher. Melcher, of course, was the powerful record producer who had snubbed Manson after auditioning and who had already lived at 10050 Cielo Drive's home. This meeting actually took place – before the murders, Manson went home to ask Melcher and found himself face to face with Tate. And the scene where Cliff Booth (Brad Pitt), an imaginary character, discovers a hitchhiking girl Manson is probably inspired by the real anecdote in which Wilson filmed Ella Jo Bailey and future murderess Patricia Krenwinkel.

It is also true that the Manson women sang the sect leader's own songs. They "sang his words while they were looking for food in dumpsters; they harmonized with Manson around the Spahn Ranch campfire, "wrote DeRogatis in a recent article. New Yorker piece. If you watch the special 1994 ABC series of cult shows, you'll find haunted images of the Manson family reveling in a creepy fog on the ranch around 1969. The song that plays on the video? "I will never say, never, forever."

The song was only officially released in 1970, after Tate's murders, when a man named Phil Kaufman, who made friends with Manson during a previous prison term, organized the release of his album on the Awareness Records label. "[Manson] was very eager for his music to be heard, "said Kaufman, and although the material was recorded as early as 1967, the disc's packaging – which paralyzes a Life Magazine cover – clearly intended to take advantage of Manson's new infamy. (A more popular version of "I'll never say, never", with some unpleasant acoustic squeaks, appeared on Family jams, a separate album recorded by Manson fans in 1970.)

Kaufman is now 84 years old. Three years after the release of Manson's album, he had stolen Gram Parsons 'body and set it on fire at Joshua Tree, in accordance with Parsons' wish. I sent an email to Kaufman to ask if I could interview him about the Manson album. He has sent me a one-word answer from an AOL email address: "No" (that's all email.) That's one of the most brutal interview refusals I've ever received, and I respect it.

Meanwhile, the story of "I'll never say, never, always" was further complicated when Crispin Glover inexplicably took it back in his 1989 album. The big problem ≠ The solution. The solution = That it is. If you have not heard this album, let me assure you that it is the most aggressive album ever released by a major Hollywood player. There is a novelty song about clowns that rhymes "soil," "sound," "around," "clown," "frown," "mound," and "dog," all in its first 30 seconds. There is a breathtaking cover of "These Boots Are Made for Walkin & # 39;" in which Glover sounds "like a guy on poppers who do karaoke after being punched in the face," to quote a remarkably accurate criticism of The Awl. And, in the midst of this chaos, we have the opinion of the actor on the song Manson. Glover puts his voice in an antiseptic falsetto and relies on the macabre call of the song. It sounds like a schoolgirl choir from hell.

I sent an email to Glover asking why he chose to cover Manson's song. He did not answer. But it should be noted that at the end of the 80s, a dark fascination for Manson had become ubiquitous in underground music circles. Sonic Youth's 'Death Valley '69 and Flaming Lips' Charlie Manson Blues are the perfect example. It was also in 1989 that Marilyn Manson formed her eponymous group, reinforcing her obsession with the Manson tradition by adopting the family name of the cult leader (the "Marilyn" comes from Marilyn Monroe). A few years later, when Guns N 'Roses covered a different track of Manson, in 1993. "The incident of spaghetti?"Sharon Tate's own sister was indignant enough to call for a boycott of Geffen Records.

More recently, "I'll never say, never, always" was used in a 2018 episode of the Netflix horror series Adventures of Sabrina. It's a truly phantasmagorical context – Sabrina discovers the song sung in a choir class at a witch academy. Yet this interpretation of the song incorporates harmonies so pleasing that the average viewer would never suspect that it was written by one of the most infamous assassins of the last century.

Since my second visit Once upon a time in Hollywood, the song stayed constantly in my head. His listening gives me a disgusting feeling, knowing that Manson would probably have been delighted by the idea that his music survives after his death. I was surprised to find that the entire album is on Spotify, since the streaming service has done a lot to remove alleged perpetrators of sexual violence such as R. Kelly's playlists. And relieved not to forget that Manson is not there to attract attention or receive hypothetical Spotify 15-cent royalty checks.

If Glover finds a little dough for his album weirdo novelty, it's good with me.

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