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Over the last month, an artificial intelligence called Dadabots has generated and broadcast endless death metal on YouTube. Motherboard. Directed by music technologists CJ Carr and Zack Zukowski, this algorithm is just one of many death metal algorithms that the duo has developed over the years, each trained in the discography of a single artist.
Dadabots' method of training consists of feeding a sample of entire recurrent albums of the neural network of a single artist. The albums are divided into thousands of tiny samples, which then creates tens of thousands of iterations to develop AI, which starts by producing white noise before learning to produce more recognizable musical elements.
This version of Dadabots was formed on the real band of death metal Archspire. Carr and Zukowski have already trained the neural network to other groups such as Room For A Ghost, Meshuggah and Krallice. In the past, they had released albums created by these algorithms for free on Dadabots' Bandcamp – but having a 24/7 live-death algorithm is a novelty.
Carr and Zukowski published a summary of their work in 2017, explaining that "most style-specific generative music experiences have explored the artists commonly found in harmony textbooks," meaning mainly classical music, and have largely ignored more modest genres like black metal. In the newspaper, the duo said that the goal was to make sure that the AI "realizes a realistic reenactment" of audio, but this finally gave them something perfectly flawed. "Solo singers become a lush choir of ghostly voices," they write. "Rock bands become cubist and crunchy jazz, and the crossings of several recordings become a surreal chimera of sound."
Carr and Zukowski tell Motherboard they hope to have some sort of public interaction with the Dadabots in the future. For now, you can listen to it coming out of death metal nonstop and commenting with other people watching the live stream on YouTube.
Coincidentally, the formation of an artificial musical intelligence on a single artist has repercussions on copyright, making it a thorny gray area without any legal precedent, so that such music may not be to be more freely available on the Internet in the future. "I will not mince words," said Jonathan Bailey, iZotope's CTO, about the problem. The edgeRecent dive into the music created by AI and copyright. "This is a total legal clusterfuck."
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