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For more than three months, the exhibition "Rodin and Ancient Greek Art" of the British Museum has attracted a large audience, accompanied by a celebration unique that prompted some critics to feature in this year's show. The exhibition is a collection of works by the French sculptor Auguste Rodin, among which are his most famous and popular works such as the Qibla, the Thinker and the Bronze Age.
He also presents models in bronze or plaster of his other works borrowed from the Rodin Museum in Paris, as well as marble sculptures of the Greek Parthenon temple, one of the most important treasures of the British Museum [19659004]. The secrets of Rodan's works, their creative roots and the extent to which he influenced ancient Greek art and inspired him to many of his forms and themes.
The British Museum was keen to choose Rodan, one of the pioneers of modern sculpture, to make a comparison that highlights the importance of one of his treasures. The marble sculptures of the Parthenon temple, which Rodin saw for the first time during his visit to the museum in 1881.
Influence of Greek art
This exhibition reveals us a century after the death of Rodin, then rebellious to the domination of the new classicism, how it returns to its original sources in the Greek art, and the works of the Greek sculptor Vidias and Magella there are more than 2500 years to draw them differently.
The new mid-nineteenth-century art classics revolve around baroque and rococo masterpieces and return to the principles of simplicity and coherence of Greek art, but they are inspired by an intermediary, Roman versions of the Hellenistic sculptures. Archaeological sites. The significance of Rodin's moment, and his direct encounter with the Parthenon's marble sculptures in the British Museum, were not inspired by the power of physical expression but captured by the eye up to the weather and atmospheric conditions effects or fractures and cracks.
Rodan tried to simulate this in his modern sculptural work, sometimes cutting his head or limbs "to give us a reserve in contemporary art is the trunk of the human body without head nor limbs."
This inspired the inspiration of Rodin's Greek art throughout his life, but he was famous for his collection of about 6,000 artifacts, which he included in a special museum in Midoun in 1900.
Is this really a kiss? And the statue of the goddess of wisdom in Greek mythology, who made it give birth to the Parthenon of his head in reference to the myth of his birth from the head of the great deity Zeus. Many people today see the qiblah statue as a recipe for an emotional and intimate moment, with romantic features, but Rodan has carved this statue to represent the damned lovers of hell in the world. epic epic of Dante's Divine Comedy, where Dante meets lovers Pablo and Francesca. Who were killed by the husband of Francesca (Pablo's brother), having found them together in an intimate moment. This moment before their death is what Rodan attempted to embody in his sculpture.
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On the same table is a Parthenon marble sculpture of two Greek gods without a head, one elongated on the other,. According to Rodman, this style is ordained in his kiss, where the lovers' faces are absent for the expressive power in their bodies at an intimate moment.
Was he really a thinker?
Two Gibson copies of the Rodan Thinker Statue from 1881-1882 The second color from 1903 was displayed in the exhibition
In the same room is the famous Rodin statue of the Thinker, a name that Rudin did not call his sculpture, which he designed to be at the top of his main work, The Gate of the Hell (we will stop later). Initially represented as the incarnation of Minus, the judge who tries to be sent to hell, and later Dante himself meditating in the underworld, he was nicknamed "the thinker" by the smelters of the foundry , believing that he looked like a statue of Lorenzo de Medici. From the famous Italian sculptor Michelangelo, who is named "the thinker".
The statue depicts a man with athletic strength based on his right elbow on his left thigh.The entire body seems to be pushed forward and supported externally on his head.This is interpreted by some as an indication of sadness and sadness among the Greeks.
The Gate of Hell
A visual display of the Gate of Hell on which Rodan has been working for about 37 years
This work can be described as the founding work from which derive most of Rodan's famous sculptures, including the Qibla and the Thinker, originally only small forms intended to be placed in front of the Gate from Hell.
At the entrance of a decorative arts museum built in Paris, Rudin's first official mission at the age of forty, and after a long struggle to recognize his talent, he addresses the challenge that he faces after the Ecole des Beaux Arts refuses to accept it three times. The museum was not built, but Rodan worked intermittently at this door, for many years near 37 until his death in 1917.
The portal contains more than 180 figures adorned with Relief sculptures on this door, which was the yeast of most of Rodan's famous works, which he executed separately as autonomous sculptures in plaster, bronze or marble.
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Rodan was inspired by various influences, including the Florence Gate in Florence, by the Italian artist Lorenzo Giberti, and the work of Michael Angelo The Famous last story or the Day of Resurrection, as well as the literary texts of Dante, representing the portal of his hell, the poems of the French poet Baudelaire "The Flowers of Evil" and "Human Comedy: The French novelist Belzak."
(Maket), and the exhibition presented a visual presentation of the The monumental monument is difficult to transport, as well as a gypsy model made in 1991 on the basis of the third design model directed by Rodin in 1880-81. (19659003) The history of the monument dates back to a historic event when the King of England Edward III was besieged in 1347 in the Hundred Years War, The City of Calais, and ordered the massacre of all his residents, and six of his elders came to his court bareheaded head and ropes in the When he decided to execute them, his wife interfered with the queen and negotiated his amnesty.
Rodin executed this monument between 1884 and 1888 and was placed in 1889 in front of the municipal building of the city. Britain was eager to buy a copy of the monument, and was placed in London with the # 39; Help of the same sculptor in 1911 to advise his monument. The version has been moved to the exhibition hall. In spite of their collective sacrifice, Rodin makes the citizens of Calais tender, his head slightly inclined, his hands clasped between questions and supplications, as if each one of them was alone in the face of his own destiny, in a moment of tension and great consternation. Which is covered with coarse clothes of the burlap as it seems, and make intervals that separate them in certain areas, but they combine almost in other areas, and these gaps are revealed to the viewer when the rotation around the monument.
The owners of the exhibition wished to present individual wax copies of the statues of the monument, which Rodin also presented as individual works, as was the case of the six men of Pierre de Wessen, who presented his naked body without head or limbs. , Of which Greek and Roman marble models were placed in the same room for comparison.
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Legend of the image
The god of the river (Alice) in the Greek mythology of the Parthenon marble sculptures
The exhibition did not signify Rodan's rich emotional life and his relationships with the women who shaped many of his works, which have become a fertile material for many writings, films and dramas, as well as the 39, popular interest.
The exhibition only presented a statue in the context of a comparison with an African origin, a bust bearing the title "Thought emerges from the material," depicting the head of his mistress and assistant and future sculptor Camille Claudel emerging from a massive mass of marble.
- The British Museum lent to Russia some of the remains of the Parthenon temple and the exhibition with many other comparisons between Rodan's work and his sources of inspiration in archaeological sculptures Greek, and especially his great sculptor Vidis.
These works include the Earth, the Fallen Winged Spirit, the Birth of Venus, the Slavonic Woman's Head and other works that have spread among Greek marble carvings and friezes with carved reliefs that inspired Rodan's inspiration.
The statue of "walking man" stands in the center of the exhibition on a seven-foot tall column, Rodan was influenced by a Phoenix statue of the island of Naxos at the Louvre. A "funeral spirit" carved into a head and trunk taken from the "Dori" frieze on the south temple side.
Seen The statue of Iris is the messenger of the gods in its origin and its various uses in other statues of Rodin, including his study and the models of the statue of the French writer Victor Hugo.
At the end of this exhibition of extravagant beauty, the Parthenon's marble sculptures will return to the Greek Antiquities Halls of the British Museum, where many other exhibitions will be made at the Rodin Museum in the French capital. The brave citizens of Calais who have respected their sacrifice and have dedicated a distinctive monument to them since the beginning of the century at Victoria Tower, near the British Parliament building.
Image caption
Carved martyr, a sculpture from the work of Rodan the Great "Gate of Hell"
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