The Okaz culture focuses on the stages of theatrical work from text to presentation

The Cultural Okaz Market Program, organized by the University of Taif, in cooperation with the General Authority of Tourism and National Heritage, closed with cultural symposiums and poetry nights on the theme "The future begins now."
The activities of the fifth day included three seminars entitled "Text-to-Presentation Theater", "Tourism Industry and Future of Development", "Fine Arts and Community Development", to which a group of academics and specialists participated
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The director of the Symposium "Text-to-Presentation Theater" presented to the media Abdul Hadi Al-Qarni, an article entitled "The concept of cinemography and the aesthetics of theatrical performance", where he spoke of theatrical presentation, definition of scenography and elements.
Known as the art of coordination and engineering of theatrical space and control in its form, in order to achieve the objectives of the theatrical presentation and complete the elements of pleasure in the recipient, This confirms the theater event also exposed. "
In turn, Dr. Mohammed Habibi, professor of literature and criticism at Jazan University, presented an article titled "The Textbook-At-Presentation Academic Theater", in which he highlighted the barriers to university theater in the kingdom. This theater shows theater.
Habibi also highlights some of the problems of university theater, the most important of which is the lack of institutional work and management of the current stage of theatrical activity: it depends on individuals and individual efforts that may be present and absent . To search for others
Then reviewed the scriptwriter and director Hussein Alfifi specifications of theater director and his role in converting the text of written words to a living entity, through his document entitled: "Theatrical release, the tools of creativity and the responsibility of the presentation."
Al-Fayfi knew the theater director as the person who builds the display unit and maintains its precision and aesthetics, and selects the best elements of the show and melts them into a crucible.
"The director must have more abilities than the actor to explain the technical aspects of the show, and his qualities are familiar with the stages of work, the quality of the audience and his interests and the spirit of leadership."