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Ghalia Khoja (Dubai)
The ancient Chinese civilization has known the arts since its beginnings and began its sculptural and sculptural journey with the white porcelain funeral pot, with the development of human knowledge, the pots became colorful in 2000. On white glazed porcelain and black enamel, porcelain formations have varied between statues and everyday objects.The other paintings were characterized by the presence of the nature of trees, mountains, rivers, birds and trees. flowers.
These paintings are fashioned in Chinese language with artistic and artistic dimensions reflected by their alphabet, along the historic Silk Road, open to harmony, love, peace and human culture civilizations are intertwined and influenced by new dimensions. This art has begun to move from its traditional spaces and familiar to modern art, while retaining its concepts of artistic concepts that do not abandon its materials such as porcelain, silk and ink of China, as well as its legendary, legendary, realistic and abstract connotations. What made the Chinese plastic scene in the modern era goes through four stages, according to the classification of researchers, the first step of vigilance and begins with the seventies of the last century and represented by the panel of the Artist Lu Zhonglin.
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As for the most famous oil painting (father) it can be said (Chinese Mona Lisa), reflecting vivid dramas from the tragedy of the disputed reality (Lu Qing Li) born in Sichuan ( 1948), to reflect through the traits of the hero Its image of permanence is of a kind, achievable at any time and in any place, especially this individual and simultaneous, relentless, complacent, communicative and urgent vision of the world. to advance in the future through life – in spite of its rudeness and its clear deadlines on the poor old man. Including various events, completed by the details of the painting painted with photographic precision, with his back The color of his skin, his folk clothes, his mouth open on his silent past, and his contemporary moment that flees from his remaining teeth.
Between the light and the shadow, the role of his fingers stands out: he wears a traditional Chinese pot, decorated with marine creatures, painted in Indian ink like a fish, and on the surface from the pot old scars reflected by the sun on the liquid contained in the container. This is a permanent ring to shake the old man with the ground and his joints, completed by drops of sweat from his head to the nose through the scars .. But the question remains about the role of the feather that the father puts behind his left ear. See why the pen? What is his relationship with pain?
