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Produced by Reel FX Animation in Montreal and Original Force in China, the film is a mid-range film with an estimated budget of $ 45 million.
In his recent interview with Asbury, Cartoon Brew's director was impressed and pleased with the way in which Uglydolls despite the relatively limited resources at their disposal:
We tried to work within the limits of what we had. We were not a big budget movie that took six years to do, so there were things we had to say, "OK, let's find a creative way to make this look as good as possible with the tools we have. Reel FX is very good in this area as they have made many low budget animation movies, commercials and many little things for different movies. So they learned techniques for the most for their money, if you will. They have been great, and I am very happy with the result. To be honest, the movie looks better than I originally thought. I kind of said, "Okay, that probably will not be as rich as I would like in most cases, but it's a different set of circumstances. , [yet] he ended up being so rich. I think it's as rich as anything I've done in terms of look, so I was very happy.
Unfortunately, critics have not fallen for this commodity-friendly project. A common complaint is that the scenario seems to reinterpret elements of other more successful animation films dealing with sensitive toys such as Toy Story franchise, The trolls, and The movie Lego. Others believe that there is not much to do in terms of style or visual originality. Reactions range from those who are apathetic to those who have much more vitriolic catches.
Nevertheless, given that the demographic target is young for this film, the film could end up beating the bad critics and finding a theatrical audience, similar to that of Paramount Animation. Wonder Park, which has managed more than $ 40 million in national revenues despite bad reviews.
Here are some excerpts from the critics' film of major publications:
For the New York Times, Glenn Kenny wrote about previous work that Uglydolls borrows from:
[Every] The appearance of this animated film directed by Kelly Asbury also seems overdetermined and dismissed, as if it were a weekend project containing caffeine for all concerned.
Neon colors make you think of what candy Crush movie might look like, while endless songs are cute and tasteless paeans to self-love. Individual scenes evoking The Lego movie and Toy Story 3 feel like lifts rather than tributes, and are blatant to the extent that your older children might even notice.
Rejecting the movie as "a disposable children's entertainment room", David Ehrlich of Indiewire said:
For a disposable children's entertainment piece featuring Pit Bull as the voice of a crazy puppy at party, who loves the party, named Ugly Dog, here's a refreshing way to make Uglydolls go on his agenda. At no time in its hour of glory, this colorful pop confectionary claims to be more than an 88-minute advertisement for an innocuous brand of stuffed toys, and we should be grateful. Of course, it's not as psychedelic as trollsnor a monument as impressive to the mediocrity of the last capitalism as The Angry Birds movie, But at a time when the typical animated film spends $ 100 million trying to exhaust its young audience in submission, it is rather nice to see the one that costs half the price and half of it.
Written for The New York Post, Johnny Oleksinski emphasized that the function is only for the sale of goods:
The message of the new screechy children's movie Uglydolls may seem like "be yourself", but the real thing to remember here is "Buy our merch!"
This corporate greed is particularly noticeable in this latest film about a popular supermarket toy, because its story is so tasteless and so uncreative. The scenario is a waste, the dubbing is wood and the songs are as contagious – and deadly – as the jingle Mister Softee.
Even more severe notes came from The Hollywood Reporter 's Keith Uhlich, who described the film as follows:
[An] An idiotic horror that could claim to be one of the worst films ever made if it was worth this hyperbole.
On a positive note, Michael O'Sullivan of the Washington Post found the film and its endearing characters even though the world reminded him of too many other animated classics:
The quirky and jerry-crafted visual design of the place is actually pretty cute, even though it looks more like a fleeting resemblance to the island of Misfit Toys than the 1964 vacation classic, Rankin / Bass Rudolph the red-nosed reindeer. There is also a touch of youth from Toy Story franchise, especially as part of the secret life of the film.
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