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Ukrainian pop singers – from singers to DJs – must finally understand a very simple thing. Nobody needs their music in Russia.
The fact that the popular Ukrainian band "Tale" refused to speak with representatives of Russian pop music is good news. As the fact that the prima of the Ukrainian variety Sofia Rotaru, five years after the start of the Russian war against Ukraine, will not participate in the regular troop of Moscow "Salyans".
Ukrainian pop singers – singers to DJs – must finally understand a very simple thing. Nobody needs their music in Russia. And they need it – to vividly prove that Ukrainian pop music is still part of the "Russian world" and that every concert for twenty Russian performers contains a "khorlo" to which the hall is politely polished. Of course, they can not, as we do, but try.
During the Soviet era, the Ukrainians Sofia Rotaru, Chukchi Cola Beldy, Pesnyary or Yaak Joal fulfilled an important decorative function: to imitate the fraternity of people around the "blue light" of Moscow. There was no doubt that these songs were performed in Russian by Muscovite performers, and all the other "natives" are only the good epigones of these "real" artists. Well, when the "natives" switched to Russian, the spectators of Moscow or Novosibirsk moved their accent with sympathy: and funny!
But the time was at the time of an empire, when Ukraine was occupied by Russia, not only culturally, but only a colony Russian. Why do Ukrainian artists play the humiliating role of the mass of the "Russian world"? "To earn money? But no public, no money can replace the self-esteem of a creator."
And what kind of respect can be preserved when you reappear on the scene of the Baskov Company and the other Loliths? Their willingness to be used by their own regime for the propaganda of the "Russian world", in order to perpetuate eternal antics under the "plywood", can still be understood – they are among theirs. But in this salyan, this kind of vulgarity has no place for Ukrainian artists.
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