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The film troupe and creative team joined distinguished guests in New York for an evening hosted by Barry Levinson and Tony Gilroy as part of the Neil Armstrong film and moon landing.
The mantra of Damien Chazelle on the set of First man was "the moon and the sink of the kitchen". The Oscar-winning director of La La Land and Whiplash wanted to make his point of view of the moon landing from Neil Armstrong's point of view more human and visceral than the typically glorified representations of the lunar mission.
"These contrasts still interest me," said Chazelle The Hollywood journalist at a private screening and reception in New York on Wednesday night, before the first Thursday in Washington, D.C.
"The idea of undoubtedly taking the greatest event of all time and resuscitating it, not just to measure the magnitude, but at a very intimate human granular level, seemed at least as if it dictated the way forward to achieve this, "he said. "For us, filmmakers, it was simply trying to present a snapshot of this kind of stuff, hoping that if we were honest about it, we would naturally end up talking about more important topics because of what it is."
Hosted by Barry Levinson and Tony Gilroy, the screening was held at the Whitby Hotel in Midtown and guests, including movie star Claire Foy, performer Janet Armstrong, gathered at the Monkey Bar. Among the guests were Darren Criss, Cuba Gooding Jr., Ben Stiller, Bob Balaban and Candice Bergen, who rubbed shoulders in the intimate space, while the servers were running with sliders and pigs in a blanket.
Neil Armstrong's sons, Rick and Mark Armstrong, also attended the event and participated in the film from script to post-production. In fact, some scenes, especially the scene with the family before Armstrong leaves on a mission, are largely inspired by the sons telling the evening.
"We spent time talking with Ryan [Gosling] and Claire, who wanted a lot of details about family life. The more we told them, the more it was clear that they really wanted to know what we had to say, "said Mark Armstrong THR. "When we see them on the screen, they feel very familiar. Maybe not exactly what we did, maybe not exactly what we said, but it's like what we did and what we said. The end result is that people get to know our parents who they really are. "
Screenwriter Josh Singer, who wrote Projector and The post office, found the family's valuable information and collaborated with author Jim Hanson, author of the biography on which the film is based, and many astronauts who worked alongside Armstrong. The two names are David Scott, who participated in the Gemini 8 mission with Armstrong, and Michael Collins, pilot of the Apollo 11 lunar mission control module.
"When you write a factual story like this, involve these people and make them become collaborators. [make the script] all the better for her, "said Singer, adding that Scott beat him relentlessly during the first drafts.
Lukas Haas, who interprets Collins in the film, explained that many scenes, especially those around the lunar mission, were almost reconstructions, even starting from transcriptions and reproductions of astronaut movements. In addition, instead of using a green screen, Haas explained that the lunar module had LED screens so that actors could see what would happen on the outside of a spaceship.
"During take-off, the colors change and the clouds move in. Then, once the broken broken atmosphere, it really made me dizzy because the Earth went by and I lost my balance, "Haas recalled, adding that he and the rest of the cast spent a lot of time at NASA learning astronauts. "I had to check the scenery to get my spirits back in. As we approached the moon, we could see the moon coming in. Everything was amazing."
Although the story is on a much larger scale than Whiplash and La La LandChazelle finally found that the heart of the story was very similar to his previous films.
"It's the cost of a goal and the difficulty and the heaviness that this process can take to achieve a goal," said Chazelle. "I had the impression of being able to demystify that a bit and mess with the image of the space race and that motivated me."
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