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"This girl that she described is not Natalie," Meredith tells a friend later. "Believe me, I should know it." There is a tension between the communities that these characters want and who they really are.
Class and gender biases are also flowing in the investigation. When Camille learns that 8-year-old James Capisi claims to have seen a woman in white taking Natalie, she confronts Vickery to ignore the eyewitness story. The police chief shuts James off as a liar with a metamorphosed mother with cancer. "Trust me, it's a man who did that," says Vickery. The experience of Willis suggests that the killer must have been strong enough, but it's not the same as proving that a man is guilty.
In the midst of all this magical thinking, it seems useful to identify the storytellers of the truth. As long as he does not pretend, John's sorrow represents a startling refusal to deny the tragedy of his sister's death. Her mother may have had unrealistic expectations for her daughter, but her praise shook with undisguised anger. "I want revenge," she said. "I want justice."
And then there is Jackie, whose confession that she lies "like a carpet" is her own delusional mark of honesty. She is sure, but she is also full of seemingly solid information about the Keenes, about what's going on at the coroner and about the rarely-discussed past of Adora. Before Marian, Camille's mother was "frivolous – like a kite," recalls Jackie. However, we do not know if she is talking about Marian's birth, her illness, or her death.
Journalist's Notes:
• As Kathryn VanArendonk points out in Vulture, there are hidden words in many settings. "Sharp Objects". "Dirt" begins with another of Camille's anxiety mounts, which includes a second hit of the word "fornicate" etched into his skin. At the Keenes' house, a pale pink sweatshirt that could have been Natalie's reads, "No matter," as if she was rejecting the reception and her attendees. Later, she traces a word – "scared" – that she had already scratched in her forearm, and it appears, inexplicably, on the door of her car. Camille clearly has bright flashbacks, but is she as mind-blowing?
• Natalie's room and Camille's notebook can also offer some clues. At the funeral we see that Camille wrote: "Contaminated Bob Nash", "John Keene – Prom King Loser?" And "Who is Jackie O?" (A reference to Meredith) On her mirror, Natalie kept track of who she "loved" and "hated". The name "Ann" is crossed on the first list and written in capital letters on the second.
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