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[CettehistoirecontientdesspoilersdelasaisondeuxfinaledeHBO[ThisstorycontainsspoilersfromtheseasontwofinaleofHBO's[CettehistoirecontientdesspoilersdelasaisondeuxfinaledeHBO[ThisstorycontainsspoilersfromtheseasontwofinaleofHBO’sWestworld, "The passenger."]
When Westworld returns, the series will be set to explore an entirely new world.
Season 2 of the HBO series, entitled "The Passenger", opened the door to two new worlds: the "Sublime", the nickname of writers for the idyllic digital realm where many hosts (including Teddy and James Marsden) Akecheta's Zahn McClarnon) escaped; and our world, the one beyond the borders of the park, the one that humanity knows as their home.
At the end of the second season, the "real world" now has a whole new species to consider, in the form of three new inhabitants: Bernard (Jeffrey Wright), Dolores (Evan Rachel Wood) and a newly created host. with the resemblance of the late Charlotte Hale, played by Tessa Thompson. These three hosts escaped Westworld's boundaries at the end of the season, all three by very different means. For Bernard and Dolores, their common existence in this strange new earth is the only thing that binds them together; philosophically, they disagree, Dolores being always determined to gain supremacy over humanity, while Bernard intends to get in his way. Their conflict, and their new place in the human world, will become a major focus in season three of Westworld, which remains without date of return.
In addition, there is reason to believe that the third season will not only focus on a new context, but also on a new point in time. The post-generic sequence of season 2, centered on an apparently artificial version of the Man in Black (Ed Harris), takes place in the "distant future", according to Westworld co-creator and co-showrunner Lisa Joy tells The Hollywood Reporter. Joy warns that this will not be the predominant setting for the third season, but it's a point in the timeline with which she and her co-creator Jonathan Nolan are highly motivated.
While Westworld barrels in unexplored territory (or "terra incognita", as Joy describes it), should viewers expect the series to abandon the entire fleet? In this respect, Joy remains timid, while offering a little hope: "I do not necessarily think we have seen the last of those artificial worlds that are at the heart of the vanity of our series as a whole. If the park emerges and returns, we will intend to explain how this could be, and why. "
With season two officially in the rearview mirror, Joy joined THR to discuss the future of the show, the grand reveals of the finale and more.
With the second season over, what can you say about the bigger picture you are trying to create? What is the main takeaway this year for you?
The first season was an examination of consciousness, and this emerging species was beginning to hear its own voices. I think this season was really about the exercise [the hosts’] agency and autonomy. From this arises the question of free will. It's really a theme in the season, and something we tackled head-on in the final – not only free will and self-determination of hosts, but also if humans themselves have the free will. The series as a whole often consists of reversing the purpose by which we generally see this genre and this subject. Now, we begin to wonder if, when you look at artificial intelligences and humans with their organic intelligence, who is really the one who is programmable, and who is the one who can actually have the agency?
The season ends with Dolores and Bernard in the outside world. Is it safe to say that this confrontational relationship between Dolores and Bernard will be a great impetus for the series to go from the front?
I think one of the lessons learned by Dolores this season is that she had a purpose and that her goal was noble. She wanted to save her. She knew the issues. She lived so many lives in the park and died of so many deaths, and most importantly, she wanted to spare that suffering to others by finding a way to let the hosts fight and possess a piece of [the humans’] world. The problem with her plan is that somewhere along the line, she started exhibiting some of the same traits against which she was fighting. She became almost paternalistic in the way she made decisions for others, taking their own choices and living their lives. There was an ironic defeat of his own goals in the execution of how to achieve these goals. In the end, the lesson she's learned is that she can change. She changed her mind. She changed her philosophy. She realizes that she has only one way to ensure the safety of guests, when she helps to see through Maeve and Akecheta's plan by guaranteeing the sovereignty and security of the Sublime, to which many guests escaped. It is a recognition that there are other ways than hers that she must be tolerant and tolerant and that can not be an obstacle. It's a lot like she tells Bernard that she understands that they will probably disagree. They will probably come into conflict. They can even kill each other. But she came to understand that true freedom does not come from a lack of dissension, a dictatorial or totalitarian domination of a set of ideologies. It is something that must happen with a plurality of ideas, sometimes conflicting. Because she learned her lesson, she takes Bernard back to this world to check his power, in some ways.
What is the future of Westworld look like the whole world like your oyster? Now that you have two of your main characters outside the park, is there a main setting or the range will be much wider in season three?
It's going to be a whole new world. And we technically have three [hosts], because Hale is there too, or someone who certainly looks like Tessa Thompson! We will come to see who is really there and who is this character in the future. This series is about reinvention and scope. The first season was a more intimate look at the park's interior loops. In the second season, guests burst their curls and were able to explore more of the park. During the third season, they came out of the park. We are in a new terra incognita. From the beginning, when Jonah and I thought about the series from the pilot, we knew we wanted to explore other worlds in the park, and we also knew the world where we would start seeing small glimpses throughout from the first. two seasons was the real world, and we would finally get there – and when we did, it would be a whole new experience.
You said that the Western parameter is essential for Westworldbut we seem to have passed the park at the end of the season. The future of the park itself is changing. the post-credit sequence paints a rather sinister portrait of the park, in particular. What is it? Westworld look forward, with the park at least not the only goal?
Good question If Jonah and I were in the same room together, that's the point where we would have an eye-chorus as to how much to give here. (Laughs.) We have developed a very good visual contact language! What is the future of Westworld look like? I do not necessarily think we have seen the last of these artificial worlds that are at the center of the vanity of our series as a whole. But the main goal we will have will be the real world. If the park emerges and returns, we will intend to explain how this could be, and why.
Season 2 revealed the Raj, and we already knew Shogun World, but there are still three other parks that we have not seen yet. Will we ever see or learn about these parks, given the new direction of the series?
Absolutely.
The season culminates in the revelation of a new world. What has gone into the development of this idea, and how is this world going to take into account the future of Westworld?
In the writers' room, we referred to the place where the guests escaped as "Sublime". That was our shortcut for that. The idea of the world is something we were building. The hosts are not like us. They are programmed creatures. The bodies assigned to them are simply constructions. What is real about them is their cognition, the consciousness that grows in them. They are digital beings, in the true sense of the word. The notion that an analog world needs to be free is not necessarily right or true for them. In a digital world, they can make this world what they want. Whatever they dream, it is possible. It was the same attraction of the old notion of overt destiny, people in America moving more and more to the west, hoping to settle their own plots of land. Now, the hosts have a plot of land that is basically a terra incognita, untouched by the sins of humanity. They can build what they want and be what they want. Because Dolores has changed her mind and finally helped in the last stage of the Host Plan, securing the security and sovereignty of this world and putting it in a place where humans can not access it, they can develop everything they want now. he.
Dolores changes the coordinates of where the Sublime exists; Is it safe to say that she is the only person who knows where she is now?
This is true.
As the real world becomes a playground entering season 3, will we return to the Sublime?
(Long break.) I think we need to take Dolores at face value. This is locked up. Humans can no longer access it. They left. They are in a place we can not touch. There was an interesting corollary to this for me. Even religions and mythologies deal with this, an idea of a paradise or a nirvana where you no longer need to be attached to your body. You can be pure and free in this way. It's a kind of digital beyond for them. The stakes and the purpose are important. This is not something I think humans can type and come back to and start playing with them anymore. That is why so many guests have sacrificed so much, to see their kind in this secure space.
The post-generic scene delivers a bomb, with the implication that the man in black is somehow a host. The post-generic scene of the first season was a little more fanciful, Armistice (Ingrid Bolso Berdal) losing the arm. Why save this developer for the post-generic scene? What can you reveal on this stage?
On the inside, just to clarify, we do not necessarily say that he is a host. A host refers to a creature like Dolores, someone who is pure cognition, someone who is made up of nothing and also has a body made. It is certainly a sequence that indicates a direction that we will follow.
The reason we structured it the way we did it … it's funny, because I understand that it sometimes sounds complex, but we really borrowed some very bones traditional black film structure. Something has happened, and the investigators, Strand (Gustaf Skarsgård), take his witness, Bernard, and try to refresh his memory to understand what he remembers. He does not remember, and he has trouble remembering. It pivots back and forth between this moment of investigation, and that moment when the park was thrown into chaos, and all the events unfolded. He tries to understand and remember what happened.
With these two major times this season, it was good to complete all this before the sequence of credits. Finally, Bernard understands what happened. He remembers everything, including his own erasure of his own memory. You understand why: it is to protect Dolores, who came back under the name of Hale, to protect and ensure the future security of the hosts. We wanted to conclude and make sure that Bernard's story went round, so we would be sure to give that impression of closure in this chapter of history. Unlike the first season, we played cards with that all season. we knew we were lost in time because we were very openly in Bernard's perspective as he struggled with it.
But the only thing we blew up in this time sequence was the story with the Man in Black. For the majority of the season, we see it in the same calendar as everyone else. He is in the park as hell is unleashed. He gets a little crazy thinking about his past, while traveling in the valley beyond. He kills his daughter, not sure if she is his daughter or a host. In the end, we see it on the shore, as Hale – or "Halores", as we like to call it – leaves the park. We see that he survived the last arm injury that he suffered. This completes this calendar.
What we see in the end recontextualizes a bit of that. All that fact occur in this calendar, but something else has happened, too. In the distant future, the world is radically different. Enough destroyed, so to speak. A character in the image of his daughter – his daughter is now long dead – came back to talk to him. He realizes that he has lived this loop again and again and again. The primary loop that we saw this season, they repeated, testing each time for what they call "fidelity", or maybe a deviation. You have the impression that the tests will continue. It teases us of another time domain we are working on someday, and one day we will see a little more, and how they will come to that place, and what they are testing.
To clarify, would it be more accurate to refer to this version of the man in black as more on the lines than what he was testing with James Delos (Peter Mullan) earlier this season?
Yes, we understand that this is not his original incarnation. This version of him that was "human" would be somewhere dead, and that's another version of himself now. He does not really understand what.
Does the fact that this scene unfolds in the future indicate a leap of time for season three?
I think this scenario will be something we will eventually have. But season three, the main story, will not be so advanced. I am really curious to see what happens to Bernard and Dolores, now that they have finally won their freedom. I think we will see a lot more of that.
Do you still have an idea of when we can expect in the third season?
It is early to know the exact timing of when he will come back. We have not established anything yet. We do not know our release date. But we have definitely begun to break the story. Our current obsession with Westworld ruin what is supposed to be a European vacation. (Laughs.) I woke up early this morning and started talking about it. We just had a nice lunch between interviews, and all we did was talk about Season Three. We are on the right track.
What are your expectations for season three? Turn off in the comments section, and keep checking THR.com/Westworld for more coverage.
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