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The original scripted series of Netflix turn out to be remarkably in the middle of the road.
The video streaming service, which was the first of its peers to be interested in original content, has not received much love from critics, an analysis of Streaming Observer's broadcasts. The release revealed that Netflix's global library of scripted originals averaged lower scores from critics on the aggregation and aggregation sites Rotten Tomatoes and Metacritic compared to the Amazon and Hulu rivals series.
Streaming Observer watched the scores of the original scripted US series released in August. Rotten Tomatoes and Metacritic both score on a scale of 1-100.
On Rotten Tomatoes's Tomatometer, which measures the share of positive or "cool" critics on the part of critics, Netflix originals averaged 74%, slightly below Amazon Prime's 76%, and 78% originals. received. Netflix Master of none and Dear whites were among the top-rated original series, and the Insatiable was among the worst. Shows like Ozark and Altered carbon ranked in the middle.
Netflix also followed Hulu and Amazon on Metacritic, which weighs its consensus scores to further value critics of respected critics. This tends to be a little more critical.
The last time Streaming Observer analyzed reviews of Netflix, Amazon and Hulu originals, Netflix led the pack and Hulu was not even ranked because few of his shows had been reviewed by critics. It was in 2016, as the three companies were still starting to produce and source more original content. Netflix has released its first real original, House of cards, in 2013, and triggered the transition to original productions in streaming video.
Now, Netflix has a much more original content than its two rivals. Streaming Observer has analyzed approximately 60 original scripted series from Netflix as part of the study, compared with 24 on Amazon and 18 on Hulu. The sheer volume of Netflix's production could have led to its lower overall score. Netflix said it planned to take more clichés on the originals, and acknowledged that this would likely lead to further failures.
The company also invested more in the type of programming that was not included in this study, namely international programs such as Indian production. Sacred Games or the German series Dark, with unscripted series and children's shows. This type of content was not often reviewed by American critics and was not part of the analysis.
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