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After last week, a great time for the season and for the series, a disappointment was inevitable. Tonight's episode features a dizzying play, introduces a new shady character, and shifts Jimmy and Kim's scripts for their next acts. This will not set fire to your TV, but the more I thought about what seemed to be mechanical elements, the more I was impressed by their connection.
"Piñata" structured his story around Jimmy's thirst for respect, adulation and a sense of duty that the lawyer was supposed to provide. The cold opening takes us back to his day with Kim at the bottom of the HHM ladder, scouring the hallways of the cabin with their mail carts. But while Jimmy runs an Oscar pool and makes jokes with her associates, Kim absorbs all she can learn about the law, the business and her business. She stares at Chuck, the beach hero, as he accepts the applause after finding a company that has dissolved and reformed to escape its shareholders – and Jimmy knows she'll never look at it like that, no matter how many jokes they share.
Back at the mobile phone store, Jimmy remembers the Sandpiper Days where he receives a call from Geraldine Strauss's nephew (star of his first illicit publicity!), in the hope of hiring him to settle some affairs of his estate. "Did Clarence get the Alpine Shepherd Boy? So, he finished his studies then? Jimmy asks, using the gift to remember and use personal information that has made him many temporary friends in HHM booths and common retirement home rooms. But reluctantly, he has to send the nephew back to the real estate division of HHM and admit that he is no longer practicing.
What Jimmy has learned is the re-emergence of Wexler-McGill in less than ten months, at the time of his license. But Kim wants to temper his expectations, that they will pick up where they left off, while making room for the work that feeds his soul. She proposed to Rich Schweikart the company Mesa Verde, in its form of partner, to lead a new banking division. This means that associates need to cover the infinite details of Mesa Verde's expansion and that Kim has more time to tackle volunteer criminal clients. She thinks she lets him down, but Jimmy is baffled; he fled to the kitchen entrance, where the sound of cutting knives in the preparation stations entered his skull, before echoing Kim's words: "You must do what is best for you.
Now that he knows that it's useless to keep a sharp nose and mark the time before the opening of the new Wexler-McGill offices (bigger and better, with a bright panel of the waist from a Vegas casino), Jimmy begins to develop his underground phone business. and better, with controllers the size of Vegas bouncers. He needs the word to say that the guy who sells the burners should not be disconcerted, and he chooses the three juvies who launched him to send this message. Working from her old digs at the nail salon ("Fast diets never work, warns Ms. Nguyen"), he takes delivery of a pallet of phones, calls the vet to connect to the stage a ritual humiliation of its antagonists.
This is the sequence of bravery, the cameras reversed to hold the human pinatas hanging, editions putting us vertiginously floor to ceiling. Watching these giants emerge from the shadows while swinging their bats, I did not know better than the suspended children if Jimmy had control of the situation. This is not just a warning that these boys and everyone who hears their story will never forget, it's a scene that viewers will never forget.
I wish I could say as much of what I found to be the weakest part of the episode, Gus's monologue in Hector's hospital room. It's always embarrassing to provide the motivation of the character in this way, in a word that is basically a monologue; The tradition of televised naturalism makes it impossible to deploy this strategy as one can do on the stage. Here, Gus tells Hector, unconscious, of his childhood story, capturing an animal that stole the fruit of a tree that young Gustavo had fed. Instead of taking the wounded animal out of its misery, he says, "I kept it. It lasted a while. Then he goes home: "I think you'll wake up, Hector. Do not get me wrong, Giancarlo Esposito is still wonderful in this scene, but the material forces him not to win. situation – by directly explaining to us, essentially, the motivation to ensure that Hector receives the best possible care.
It's a lot more fun to see Mike see the Werner team in their new biosphere. Mike's superpower is his ability to think through every point of view in a scenario, and he is adamant about the need to fill the Germans' workstation with as much amenities as they will hardly notice they are imprisoned. . Of course, there is a troublemaker in the group – Kai, who chuckles and redeems his bosses. "Keep an eye on this one," Mike says to the camera surveillance team in the trailer on the outside. I bet we'll see all the security cameras mounted on the two doors of Sally Harbor, both inside and out, for too long.
It's this same superpower that has pushed Mike to stow Henry as a forger of the support group. Henry also has a version – but he uses it to exploit what he knows about how others will react. Mike is proud to play with what he knows, and he is disgusted by Henry's lack of code. The problem of the mourning group is that it also lets itself be disgusted with the marks of Henry – his teammates – to be easy marks. This same contempt leads Jimmy in the opposite direction to Kim's law. Either you work the claw or it works, Jimmy thinks, and he ended up being a pigeon. It's even more painful when Jimmy survives in Walter White's Albuquerque, and Kim, with her yellow folders that distract her with visions of helping people for free … disappears.
Observations lost:
- Howard's End He received nine Academy Award nominations in 1993 and has won three art tours, a screenplay and the best actress for Emma Thompson ("she's so pragmatic!"). That's good! And in case you missed it, the recent adaptation of the Starz mini-series (Haley Atwell! Kenneth Lonergan !!) is also great.
- Jimmy seems skeptical about his colleagues' predictions ("do you think Pacino will go to Oscar's glory, huh?"), And perhaps because his likes, of what we know, avoid the environment. He likes classics and trash cans, but not baits at the Oscars. When it's one of Oscar PoolHowever, you are trying to determine what will win, not what will happen to Sight & Sound list or the new Canon worship twenty years later. (Pacino won!) Jimmy can think like a brand – that's what makes him an effective crook – but it's almost impossible to compartmentalize the game of life itself.
- If you need another example, look at how Jimmy gives lessons to Howard about his reaction to the HHM crisis. Yes, he launched Howard's rhetoric on the subject. But he also refuses to understand why anyone could bend their head and try to get through a difficult time by focusing on practical steps (let alone talking to a therapist about his personal pain), rather than drastically changing the situation. move. This is what Jimmy defines as "fighting" and interprets Howard's calmness as a misguided effort to remain dignified.
- In related news, I feel bad for Howard now, which I never thought I'd say. You still have me BCS.
- I like Kim's smiling response to Jimmy's joke about "Kim and Jimmy" that are not all bad: "Rumors and hearsay".
- "You should have taken the case."
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