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Marin Mazzie, the theater star who created roles in Broadway musicals by Stephen Sondheim, Ahrens and Flaherty, passed away on September 13 morning at the age of 57, surrounded by family and friends . His publicist, Kim Correro, confirmed his death at Playbill.
During a series of complex treatments, including after announcing his remission in January 2016, the Passion and Ragtime star continued to show strength and resilience on the stage, including several engagements with her husband, Jason Danieley, another Broadway performer. Several songs that they had regularly played together have taken on new meanings, such as "Move On" by Sondheim and "Not a Day Goes By". "[It] is playing differently now because of where we've been, "she told Playbill in 2017.
Earlier this year, she appeared off Broadway in Terrence McNally Fire and air at Classic Stage Company.
Ms. Mazzie was born on October 9, 1960 in Rockford, Illinois, and studied theater and music at Western Michigan University. A few months after moving to New York, she made her Off-Broadway debut in a cover of Frank Loesser and George Abbott's Equity Library Theater. Where is Charley?
She made her Broadway debut in 1985 (one week after her 25th birthday) Big river, playing Mary Jane Wilkes, one of the sisters cheated by the two hustlers of the musical Huckleberry Finn, and who broadcasts a romantic interest in Huck, singing three songs including "Leavin's Not the Only Way to Go." Mazzie then played Rapunzel and underestimated Cinderella and The Witch in the first In the woods.
She came to stardom (and won her first Tony Award nomination) for Clara's role in Stephen Sondheim's 1994 musical. Passion, completing the passionate love triangle with Jere Shea and Donna Murphy.
<img src = "http://static.playbill.com/dims4/default/c1deda6/2147483647/crop/548×409%2B0%2B0/resize/970×970/quality/90/?url=http%3A%2F%2Fstatic. playbill.com% 2F4b% 2F77% 2Fd82aad674468a7516453aacc89bc% 2Fourchildren.jpg "alt =" Peter Friedman and Marin Mazzie in Ragtime“/>
Peter Friedman and Marin Mazzie in Ragtime
Catherine Ashmore
She then presented one of the most popular 1990s '' Back to Before '' theater songs in the 1998 musical Ahrens & Flaherty. Ragtimein the early twentieth century, she played a mother who had her eyes open on race relations, the true nature of her relationship with her husband and her own privileges. This performance earned him a second Tony nomination.
Her and Ragtime Brian Stokes Mitchell, co-star, was again paired at his next show, the 1999 revival of Kiss me Kate, in which she stopped the show with her inflamed rendition of Cole Porter's "I Hate Men". For this upcoming Broadway release, she was nominated for a third time in a row for Tony. The performance also earned him a 2000 award from the Circle of External Critics.
The timing of the song was ironic. Previously appearing in an Off-Broadway production of Troyan women: a story of love, she met and fell in love with actor Jason Danieley. They married in 1997. They often toured the United States for a series of concerts reflecting their love story. They later released an album of these songs, In front of you, on P.S. Label Classics.
Read: BROADWAY COMMUNITY REMEMBER MARIN MAZZIE
While her romance was flourishing, her association on stage with Mitchell continued in 2002 when she took on the role of Aldonza / Dulcinea in Man of La Mancha. Ms. Mazzie then replaced Tony's laureate, Sara Ramirez, as Lady of the Lake Spamalot, and replaced the winner of Tony Alice Ripley in the lead role of Diana in the musical Next to normal, about a woman and her family facing mental illness, finally sharing the Broadway stage with Danieley, who played the role of Dan.
While Ms. Mazzie's career was focused primarily on stage work, she was successful from 2003 to 2006 as a Kathy Halverson nun in five episodes of the CBS television series. Still awake.
Ms. Mazzie came back on stage in 2010 in her first non-musical Broadway show: skeptic Claudia Roe in Enron, a drama about the collapse of the real life of an energy company because of the greed and carelessness of its owners. Two years later she played in the off-Broadway revival of musical adaptation of Carrie, playing the deeply religious and scary mother Margaret White.
Marin Mazzie in The king and me
Paul Kolnik
In 2014, Miss Mazzie won the role of Great Lady Helen Sinclair in Wood Allen's 2014 musicalization of her film Bullets Over Broadway. She had assumed the role in the development presentations, and after the speculation of the industry on who would run the Broadway Bow (with several stars in the stage and screen in the mix), Miss Mazzie ended up playing the diva of the charismatic scene casts a spell on a young playwright while preparing her big comeback.
OF PASSION AT KING AND I: LOOK AT MARIN MAZZIE'S CAREER ON THE SCENE
In May 2015, while rehearsing for the Leader's role in Off-Broadway Encores! revival of Kander and Ebb's Zorba!Mrs. Mazzie was diagnosed with ovarian cancer after experiencing abdominal pain.
After treatment at Memorial Sloan-Kettering Hospital, surgery and months of chemotherapy (which she called "healing therapy"), Ms. Mazzie announced that she had beaten the disease. In the spring of 2016, she returned on stage for what turned out to be her last Broadway appearance, with Anna Leonowens in the revival of the Lincoln Center Theater. The king and me
"I think my perspective on the world is different and I value my life," she said at the time. "It's not that I did not appreciate it before, but it took a deeper meaning for me …[How it feels to] to be in these moments and to live this woman with where I am now in my life. In addition to the performance, Ms. Mazzie is committed to raising awareness of ovarian cancer.
Last year, she was inducted into the Theater Hall of Fame, with Ragtime co-star McDonald. The ceremony was hosted by Susan Stroman, who led Ms Mazzie in Balls on Broadway.
Mrs. Mazzie is survived by Danieley, her mother Donna Mazzie and her brother Mark Mazzie. A private gathering will take place in the immediate future, with details of a celebration of life to follow.
In 2016, Ms. Mazzie received the first prize "Lady" from the Phyllis Newman Women's Health Initiative. She accepted him at the 2016 Nothing like a lady concert during which she had the last word on her illness, singing a hymn that she sang for the first time in a music review early in her career: "And The World Goes" Round from Kander and Ebb.
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