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At the beginning of his 30th season, The simpsons famous by consciously or unconsciously trying to find the essence of the previous seasons of genius. With "Bart's Not Dead", the series ranks (mainly) his recent crutch of non-sequencers, and in particular useless fancy flights, as shown in the unimpressive first season of the 29 medieval Simpsons, to tell a story. story well in the wheelhouse of the show. , and which also allows its authors to target one of their most frequent targets. The combination then blends the exploration of the snowball consequences of a child's incredibly incredible lie with a rather biting critique of organized religion and, in particular, Christian films. There is also a brief voice from Gal Gadot, which will be of some importance to those interested in this subject, but its appearance is of little importance to the whole story.
"Bart's Not Dead" is rather a sort of episode of regression, a classic story (ish) of Bart and Homer, where a half-seated panty leads to child-like antics that defy death and are followed. from a lie so great Bart begins to collapse under his tremendous weight. The episode begins with Bart's rare decision not to sound the fire alarm at Lisa's saxophone show at the school's talent show. The idea was not that of Bart, however; It was Jimbo and Kearney who launched a challenge that Bart refused, thus bringing a so misguided male shame on Simpson's name that Homer is forced to act on. The lesson: a challenge can never be denied.
More: The first series of the Cool Kids series: getting old, but it can still be funny
There is a brief, amusing joke between Grampa Simpson and the challenge he had taken, if he had refused, would have irrevocably changed the course of television history. But Homer's concern about his child's refusal of a challenge becomes the strangely relatable catalyst of an episode that starts small but grows funny and unbelievable, and many of which are remarkable because they (mainly) flow logically from a single event. source, rather than bouncing back to fit jokes, whether they make sense in the context of the story or a particular scene or not.
The simpsons It has been decades since this kind of layered writing is not particularly interested in this kind of layered writing. So it's a pleasure to watch the series try out the premiere of season 30. "Bart's Not Dead" begins quite simply, with this familiar sense, things could go in all directions. As such, it is surprising that after a quick father-son discussion about the importance of always taking a challenge, Bart is perched on a dam, ready to jump, the tyrants of the school pushing him. The jump of Bart, the speed of descent of his skin and the sudden fall of his free fall make that a few seconds are enough for the spectator to wonder exactly what the title of the episode means.
The rest of the episode is going well, even a little unevenly, from there. Bart is forced to lie about his impending death experience to protect his father. It's a strange moment where the narrative need dominates the character's coherence and Bart opts to pretend that he went to heaven and met Jesus, rather than explaining that he jumped because Homer told him not to never refuse a challenge. The decision is just enough – of course, Bart would find greater joy pulling the wool over everyone's eyes than seeing his father excoriated once again for his parenting skills – it's easy to leave for the race.
The ride becomes essentially a prolonged affront to films like "God Not Dead" and "Heaven Is For Real", a film that, for one reason or another, includes a brief cameo from Gal Gadot, who audition for Homer and Ned Flanders for a month. share in the film. The simpsons It's been years since this kind of unimaginative celebrity cameo is flooded, and Gadot is no less inspired. An actor who audition for a role in a film is not particularly inventive, even if the scenario is scandalous. Above all, it just seems like an excuse for The simpsons to a) announce the appearance of Wonder Woman in the first and b) find out what would happen if Homer argues in a totally inconsistent way with another famous person.
Nevertheless, "Bart's Not Dead" is at its best when he points out the ridiculousness of Bart's lie (which he does through imaginary encounters with religious personalities and passages ahead in life after death) and by those who are stupid enough to cling to scandalous claims. the second least reliable resident of the city. This features characters like Flanders and Reverend Lovejoy, as well as their belief system, but even if The simpsons takes great pleasure in highlighting the hypocrisy of making religious movies for profit, the episode ends on an unexpected bipartisan note, Bart having learned a lesson on lying and Lisa leaving (very slightly) the possibility to a benevolent being in the sky. The end result is the thirtieth time The simpsons has started a new season, and although it is not perfect, it nicely recalls the best days of the series.
Next: The Good Place Season 3 Review: Still one of the most inventive comedies on television
The simpsons continue next Sunday with "Heartbreak Hotel" at 8pm on FOX.
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