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"Doctor Who", whose fans are obsessed with 37 seasons (including 11 in the modern restart) of internal history, tends to be a secret business. Few details were disclosed on Mr. Chibnall's plans, and the selection program for the first presented a thorough and uncompromising plea: do not describe the monsters; do not say how the doctor arrives on the scene; do not say where; not to say when; do not say who.
With that in mind, what we can say is that Mr. Chibnall clears the bridges. It features not only Ms. Whittaker (she replaces Peter Capaldi, the doctor of the last three seasons), but also a new diverse ensemble of potential traveling companions, one described by Bradley Walsh, who plays the role of Jerry Orbach in "Law & Order: United Kingdom" There is little reference to the mythology of the series compared to previous seasons, as if Mr. Chibnall deliberately took his distance. The Tardis, the space-time vessel of the Doctor disguised as police station, does not appear and there is, for all practical purposes, no movement in time or space.
However, beyond any momentary quirk, deeper style and spirit changes may be more permanent. Dr. Moffat's "Doctor Who" was like spending an hour spending time with brilliant students whose imaginations were full of fantasy, saturated with both canonical and pop culture and in love with word games and puzzles. . It was frosty, sometimes too heavily, with moral dilemmas, riddles and the kind of romanticism associated with the old British universities. It could leave you cold or crazy, but there was not much else on TV.
In the early days of Mr. Chibnall, words and ideas no longer have a place of choice: the game has disappeared, as well as the sense of humor extremely morbid. This "Doctor Who" looks like a lot of other TV shows, not only in his writing, but also in his rhythm, his cinematography, his use of music. When scary monsters appear, you can watch any sci-fi show or horror well done but conventional. Or a police procedure, from elsewhere. Everything in the series is more ordinary, which may be due to levels of inventiveness but which also looks like a choice. Mr. Chibnall released the gas, reducing the sensations to the minute.
In this context, Ms. Whittaker – who was great as a mourning and angry mother on Mr. Chibnall's "Broadchurch" – plays delicately, if not yet distinctly, as a 2,000-year-old Time Lord. It is far too early to say what kind of stamp she could put on the character, and in the first, she sometimes seems to emulate Mr. Capaldi or his predecessor Matt Smith – something that Mr. Chibnall postponed from Mr. Moffat is the telegraphic dialogue cut by the Doctor in moments of constraint.
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