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NSW Prime Minister Gladys Berejiklian expressed regret over how the debate over the projection of horse racing promotions on the Sydney Opera House ended with a messy public brawl.
But the Prime Minister has not ruled out the possibility of thinking of putting The Everest or other similar events in the light of iconic shells if they found his office.
More than a thousand protesters, including Australian singer Jimmy Barnes, have lit smartphones and torches in an attempt to conceal the show's draw from the Opera House shelling race on Tuesday night.
The protest followed Racing NSW's decision to cancel its draw for Saturday's race for the $ 13-million race, citing security risks in a context of public outrage.
The public turbulence began when Alan Jones, the 2GB shock, scolded Opera House general manager Louise Herron, claiming her dismissal when she resisted the promotion because the building "n & # 39; 39 "is not a display panel".
The indignation took more than a quarter of a million signatures as part of a petition against the promotion and race organizers. The draw was held in private in the morning and carried his results to sailing at night.
Speaking with Nine Network on Wednesday morning, the prime minister evaded issues relating to Jones' role in the decision, thus assuming responsibility for the controversial appeal.
"I want to clarify that it is both a decision of the government and that of the government," she said.
When asked if she had "fallen in line" behind Jones, the prime minister said the government had been working for a long time to reach an "amicable" decision with the race's promoters .
Ms. Berejiklian called for the debate on the issue to continue in a "respectful" manner, saying she was unhappy with the way the arguments had been developed.
"I do not like the way the debate has unfolded publicly and I do not like the way people have spoken to this frankly."
Ms. Berejiklian has not ruled out similarly considering Everest and similar events in the future.
"We are looking at each problem at its true value," she said.
"I hear what people have said about what they want to see used at the opera and what they do not want to see used."
"But as NSW's premier, I also have the responsibility of balancing those views with the NSW promotion."
