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The first trailer of the next remake of Aladdin has a lot of enthusiastic fans, but there is at least one person who is a little frustrated with that. Terry Rossio helped write the screenplay for the original animated classic of 1992 with his frequent collaborator, Ted Elliot. It turns out he's not as thrilled to see his work receive live action treatment. It seems that even though the remake literally repeats some elements of the previous version, the original authors receive no compensation for their work.
As one might expect, many are curious as to why the creators of the original work receive no compensation of any kind. In certain follow-up tweets Ted Rossio explains that animation films are not covered by the Writer's Guild of America and that there is therefore no structure to compensate the original writers of a film. work being redesigned. As such, all authors receive what was agreed upon at the time of the original contract, which, since no one had conceived the idea of making remakes of actual acts at the time, is not covered by the agreement reached.
Rossio's comment about not getting a pass for the park is not even a joke. He says at one point in the thread that he literally asked for a pass in compensation, it seems that he and other writers have asked the studio Something in the past, because of the company's new focus on these remakes, it has been pushed back.
The fact that the WGA does not cover animated screenwriters is seen as an important omission to consider. Although there are certainly differences between animated movies and real action movies, writing the script does not really belong to it. The script for the 1992 Aladdin could have been the script for 2019 Aladdin and the writing process would not have changed for writers.
Disney has already transformed several animated films into real action movies, and many other projects are in progress, one wonders if Disney itself would risk blurring the line enough so that the WGA can take action. measures in this regard.
As for Disney's lack of willingness to compensate the original authors, the studio may have no contractual obligation to offer anything, but that does not sound like anyone asking for the world. One would think that they could save some Disneyland tickets for writers and their families. In any case, they will eventually buy food and food. Disney would continue to be a winner.
For the record, although the IMDB page of the next remake gives the four writers of the original credit) Rossio and Elliot, as well as directors John Musker and Ron Clements), the script of this remake is credited to John August and director Guy Ritchie and no one else.
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