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New Halloween was a big hit this weekend, with an estimated $ 77.5 million worth of business on its first weekend. This is the 11th film of the Halloween franchise, but only the second in the story she tells, and this story has an explosive ending that we are delighted to dissect now that the movie is out.
So at the end of Halloween (not to be confused with Halloween from 1978, Halloween from 2007 or Halloween II from 1981), Laurie Strode (Jamie Lee Curtis), daughter Karen (Judy Greer) and granddaughter Allyson (Andi Matichak) survive a violent meeting with Michael Myers (played here by Nick Castle and James Jude Courtney) . They lure her into a complex cage / trap that Laurie has in her house and then set the house on fire. The movie shows that the room is illuminated and that the house is completely burned out, but when it shrinks to show the room completely inflamed, Michael is nowhere. Dun-dun! Then, once Allyson congratulated a passing driver for securing the victorious women, director David Gordon Green asked Allyson to hold on to Michael's knife.
First of all: The obvious implication of this ending is that Michael has stepped out of Laurie's trap. Which, if we are honest, seems a little ridiculous. The film does an amazing job showing how much Laurie is excessively prepared for Michael. all leaving this room would be counterproductive.
That said, it's very important to remember that this is a sequel to a horror film franchise, which the modern audience is not necessarily used to. Think about it. In the 80s and 90s, horror franchises like Halloween, Friday the 13th, and Freddy had so many sequels bringing back their bad guys in so many ways, no one expected that they were really dead. Whether it's a flash, a rebirth in a dream or a resurrection via nano ants, the villain always came back for the sequel even when the title promised "Freddy's Dead" or "The Final Chapter".
This iteration of Halloween is cut in this fabric of the 80s. It's basically a new version of Halloween II at a time when these kinds of films are rare. The last Friday 13 was in 2009 and the last Nightmare on Elm Street was in 2010, both being reboots and not related to their original iterations. the Viewed the franchise did that a bit but then left for seven years from 2010 to 2017. The Texas Chainsaw The franchise has had some recent sequels, both in 2017 and in 2013, but none has really gained traction. Hell, even the last Yell, which was sort of the final form of these films, was in 2011. That's seven years ago. Unless modern fans are educated in this other era, Michael's disappearance could be seen as problematic: a "conspiracy" that could send fans to create videos on YouTube. But it's a movie in which we should expect the villain to come back, anyway. For some, they may feel a little outdated, which is certainly valid. But personally, I love it.
For me, it does not matter how it was explained that Michael came out. It is only important that the door has remained open, figuratively speaking. Yes, it sounds like a fraud, but it's half the fun. These movies are not hermetic exercises in the plot. These are frantic, fun, thrilling rides and sometimes the logic has to come out to keep things exciting.
Then there is the last shot of Allyson with the knife. Your first thought is, "Are they saying that Allyson could become the new Michael?" Obviously, that's supposed to be your first thought – and, yes, it's possible. Michael is old enough, after all, so why not the granddaughter of a trauma victim who chose to take revenge and get revenge on the world? In addition, there is a precedent in the fourth film where Michael's niece becomes a killer in the end. However, I believe there is more than that.
For me, it's less a tease for a sequel than a symbol of power. Michael Myers, it's two things: his mask and his knife. And the knife is almost phallic to the extent that Michael continually penetrates (mainly) women with. Do not forget that as a young boy, he first murdered his highly sexualized older sister, whom he has been trying since to duplicate with Laurie. Even in the movies that were cut off from the barrel, there was always a subtext that said that Michael had a kind of deep hatred towards women. So, taking control of the knife and making it his own, Allyson takes his penis. She steals her power. Metaphorically, she grabs him by the balls and says to him: "It's my knife now, it's my power" and whatever the future, be it Michael Myers or just the university, she will be ready to do it.
That's just what I read. As I said in my opinion:Halloween is not just a very good horror movie, it's a very good movie, period. And that's because it lends itself to this kind of recontextualizations and interpretations. Feel free to post some of yours below.
Other notes:
- You left the theater thinking that it was Loomis' protege, Dr. Sartain (Haluk Bilginer) who had helped to knock down the bus, right? And maybe he even orchestrated all that? The idea that Michael is waiting 40 years after Laurie and that he then has the perfect opportunity to do so on the eve of this anniversary is far too fortuitous to be a reality. It seems that Sartain probably proposed all these events some time ago. He could have set up podcasters (including getting the mask and allowing them to taunt Michael), transferring the patient, bus crash, timing, who knows what else? There is almost an impression that this could be a thread of intrigue. What else has he prepared for Michael? Does it look like Jigsaw this way?
- For a woman so prepared, did you have the impression that Michael had entered the house too easily in the end? I know Laurie wanted to kill him, but could not she have done it without putting his daughter and granddaughter in danger? He crossed that door and his door so easily that it was almost comical.
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